Showing posts with label france. Show all posts
Showing posts with label france. Show all posts

Thursday, May 15, 2008

La Zombie Et Ses Bizons - Herbe de bizon (2004)

Coming from different musical ways, several French musicians eventually met and formed LA ZOMBIE ET SES BIZONS. Climates, landscapes, colours are the lines of force of their music, that can be described as "Alice In Wonderland" played in the MAGMA way. "Herbe De Bison" (2004) is a happy instrumental celebration of Progressive rock, jazz, oriental music and a bit of trance, melting sounds of vibraphone, flute, guitar, bass and drums. It will lead you from the softiest of melodies, through long hypnotic ascendant lines to a climax of pure savage energy. That musical journey is a constant zapping from the candy sweetness of delusive ads to the acid truth of news reports. Never extremely violent or excessively naive, each piece is a wave that takes you and leaves you on foreign shores. Not to be missed !

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Saturday, February 09, 2008

Travelling - Voici la nuit tombée (1973)


Travelling are a French band playing in the trio format (keyboards, bass, drums). Musically they have links to Soft Machine, Robert Wyatt and ELP. Keyboard player Yves Hasslemann has a fairly varied playing style, incorporating classical, blues and jazz elements. In contrast to Soft Machine's Mike Ratledge, Hasselmann plays piano more frequently, but occasionally fuzz organ can be heard as well. Nice album with some excellent piano and organ playing.
In the mid- to late 60s, free jazz was a prominent feature in the Parisian nightclubs and overall had a strong foothold throughout France. On the vanguard for this movement of jazz was the Futura label. Today the label has attained a mythical stature; 1) because of the consistent high quality music the label produced and 2) the scarcity of the product. In the early 70s, the Futura label expanded its scope to include new and exciting experimental avant rock music which seemed to mesh well with the style of jazz the label portrayed. These albums were designated as the RED series and debuted, naturally enough, with a band called Red Noise.

Perhaps the most accessible of these RED bands was Travelling, a keyboard-based trio that probably represented best what the label was about: Jazz, rock and an experimental inquisitiveness. Their sole album is a combination of the early Canterbury movement circa Soft Machine 2, the continental equivalent in Supersister, piano jazz and avant-garde classical/electronics. In fact, the 18-minute title track has all these elements which include Wyatt-esque vocals (however, here in French), fuzz bass, fuzz organ, piano jazz, complex meters and echoed early synthesizers/machines; a contrast in tight ensemble playing combined with loose free improvisation. The other five shorter tracks are really just the same though more contained within the environment of a small composition. The closer demonstrates a melancholic sadness not displayed elsewhere.

Originals of any Futura album run into the small fortune area. Travelling is no exception and was a staple $600+ LP. Fortunately within the last year 2001, Italian CD label Mellow Records released this so that everyone can hear this gem. Taken from Gnosis2000


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Monday, January 14, 2008

Transit Express - Priglacit (1975)

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Sunday, January 13, 2008

Machin - Tout Folkant (1977)

French folk-prog. More info here


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Kindly shared by Mr. Vlad V.

Folk a L'Ame - Tempus Fugit (1997)

This band (Flute, violin, guitar, tin whistle, bohdran, drums & percussion) performs folk and sometimes rock music very influenced by the principal monochord vocals and the choral repeat of theme parts. It evokes MELUSINE, but the band gets its roots from a very old musical wealth, in order to then blend tradition with evolution, so that to perform a Celtic-Occitan folk-rock. They associate modern arrangements to traditional instruments in a perpetually creating mind. A lot of varied sounds and beautiful instrumental parts.

1. Les poules huppes
2. Passe-vent
3. Perfid jail
4. Festoyerie
5. Turlutu/Mazurka de Lapleau
6. Connivence
7. Le tailleur de pierres
8. Alienor
9. L'oiseau
10. Les Filles sont comme les roses/Reily's reel

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Kindly shared by Mr. Matty Groves

Sonerien Du - Gwerz Penmarc'h (1978)

Folk breton

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Saturday, September 29, 2007

Nadavati - Le Vent De L'esprit Souffle Ou Il Veut (1973)

French jazz-rock

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Sunday, August 26, 2007

Stinky Toys - Stinky Toys (1977)

The Stinky Toys were a french punk/new wave band who apparently inspired Malcolm MacLaren. Posted by request.

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Sunday, August 05, 2007

Baroque Jazz Trio - Baroque Jazz Trio (1970)

From all points of view, the BJT is surprising: instrumentation, philosophy, sound, music, cohesion. It is well and truly a unique phenomenon in French jazz. It wasn’t until the 90s, with its hoards of DJs, samplers, collectors and other vinyl enthusiasts that, after frantic searching for forgotten musical experiments, the Baroque Jazz Trio resurfaced. BJT is the archetypal dream-record for that type of collector. It completely fulfils the musical demands of this anachronistic tribe, guided by an obsession for the discovery of forgotten or lost sounds, vestiges of a time where music, we are told, was free from all commercial constraints.
So it is that this recording has existed for over thirty years, but it does not really have a ‘name’ in the jazz world. It is still an authentic and unique experience in the mind of its authors: Jean-Charles Capon, Georges Rabol and Philippe Combelle. It will also be one for its audience.

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Saturday, August 04, 2007

Pierre Bensusan - Pierre Bensusan 2 (1977)

French folk

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Thursday, August 02, 2007

Wlud - Carrycroch' (1979)

French spacey fusion band

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Wednesday, July 25, 2007

Babel - Babel (1976)

French prog

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Skryvania - Skryvania (1978)

Back in the mid 70s, the almost fully instrumental quartet SKRYVANIA came from the union of a bunch of French teenage prog-heads - still in high school - who wanted to emulate their musical idols: YES, GENESIS, PINK FLOYD. While doing their first gigs as a prog cover band, they started to create their own ideas, and by the end of 1977 they had enough original material to fill a long-play: by that time, original keyboardist Henry-Jean Aubin had been replaced by Harold Bazobka. Their low budget didn’t allow them to have the benefit of a solidly professional recording studio, although a famous local radio presenter and sound engineer was in charge of the production of the band’s sole recording. Maybe this was the factor that helped the resulting record to sound the best it could under these c...Back in the mid 70s, the almost fully instrumental quartet SKRYVANIA came from the union of a bunch of French teenage prog-heads - still in high school - who wanted to emulate their musical idols: YES, GENESIS, PINK FLOYD. While doing their first gigs as a prog cover band, they started to create their own ideas, and by the end of 1977 they had enough original material to fill a long-play: by that time, original keyboardist Henry-Jean Aubin had been replaced by Harold Bazobka. Their low budget didn’t allow them to have the benefit of a solidly professional recording studio, although a famous local radio presenter and sound engineer was in charge of the production of the band’s sole recording. Maybe this was the factor that helped the resulting record to sound the best it could under these circumstances. The band’s obscure status was very much due to the fact that the album’s promotion was almost inexistent: the foursome’s inexperience led them to focus exclusively on playing gigs without leaving some room for promotion in radio programs or magazines. All in all, the sound quality is not terrible (compared with the demo selection of early CORTE DEI MIRACOLI material in “Dimensione Onirica” or ARACHNOID’s album), and it doesn’t prevent the listener from appreciating the level of compositional inventiveness and solid interaction developed by all four musicians throughout the album’s track list.

SKRYVANIA’s prog style portrays a feel very much related to that of their compatriots PULSAR, as well as Floyd-influenced German bands such as ELOY and NOVALIS: the abundant use of hypnotic keyboard layers (on organ and string synth, mostly) creates that impression. On the other hand, Olivier Marina’s guitar leads sounds very influenced by Andy Latimer and Steve Hackett, albeit with a rougher edge: the importance of the guitar presence makes the band’s overall sound lean closer to MONA LISA and the rockier facet of classic GENESIS. The band is decidedly centered on the symphonic trend of prog, with an added touch of spacey psychedelia.

“Skryvania” is a true collector’s item: highly recommended to resolute symphonic prog lovers who feel capable of appreciating good prog under mediocre sound quality circumstances.

Cesar Inca, PERU ProgArchives

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Sunday, July 22, 2007

Myrdhin - An Delen Dir (1978)

Bretagne. Celtic harp

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Hybride - Ca n'a pas d'importance (1977)

France. Need more information

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Saturday, July 21, 2007

Melody - Yesterlife (1977)

France prog

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Melody - Come Fly With Me (1976)

France prog

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Saturday, July 14, 2007

Machin - Moi, je suis un Folkeux ... (1975)

French progressive folk, debut album.

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Machin - Rales Folk (1978)

French prog folk

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Wednesday, July 11, 2007

Eden Rose - On the Way to Eden (1970)

France, progressive

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