Friday, March 31, 2006

Dream - Dream Archives (1969-72)

Complete unreleased album from Holland's best kept psychedelic secret, from the late 60's. Having formed out of Mother's Love, this band went on to make this collection of tunes which would lay on the shelves for years, collecting dust. This is unheard '60's Dutch pyschedelia that will be a must for collectors. Freak Emporium

The music The Dream makes is mainly sixties psychedelic music with some blues influences, as can be heard on Can you hear me howlin' or on Sleeping rose. Sometimes they remind me of The Kinks (We'll be back yesterday morning) or The Doors (Dino, Four phonecalls). The music is mainly vocal oriented, but there is also a big part for the guitarist. The most progressive track is The diamond and the fool.
(Dutch Progressive Rock of the Seventies)

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Randy Holden - Early Works '64-'66

Randy Holden's career spans over 40 years and many different bands. The first band he played with were The Iridescence back in 1959, their material being mostly Blues.In the mid Sixties he joined The Fender IV (photo) and it was here that his guitar sound started to take shape. Then Randy joined the Sons Of Adam in 1966 and from here he formed The Other Half, a West Coast Garage Punk band who released 2 albums and 4 singles during the late 1960’s, their self titled album ending up more in psychedelic territory, but with Randy’s guitar style starting to shine through. When The Other Half split, Randy replaced Leigh Stephens in the infamous West Coast Proto Metal band Blue Cheer bringing with him his now legendary guitar style and immense amplification techniques which took Blue Cheer to levels of sound never thought possible before.
After recording one album with Blue Cheer (New Improved! 1969) Randy left to pursue his eternal quest for the ultimate in amplified guitar sound and teamed up with drummer Chris Lockheed for what became a legendary solo album, Population II (1970) and they toured America with this ‘nuclear powered’ band that featured 16 Sunn amps (this was just for Randy!!). The album never officially got released and Randy had some bad experiences with all his kit being stolen and he eventually turned his back on the music industry, unfortunately never really getting the recognition he deserved as a pioneering guitarist.In the 1990’s after many months of ‘pestering’ by an obsessive fan Randy picked up a guitar again and headed into the studio.In 1996 Randy released Guitar God, featuring former Blue Cheer drummer Paul Whaley on an unsuspecting public and it went down a storm. Recorded in 1997 and released in 2001 was the follow up, Guitar God 2001 with Randy Holden firmly back in the seat using an awesome custom ‘Glass’ guitar made for him as a present from his wife. Pooters Psychedelic Shack
Long overdue comp of pre Blue Cheer garage psych featuring Randy holden. All of the Sons Of Adam recordings including previously unheard stuff is here along with The Fender IV's entire output. Essential. Freak Emporium

Avaialble from Captain Trip

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Subway - Subway (1972)

Subway was a LP project by an American/English duo consisting of singer-songwriter Irv Mowrey, guitar, vocals and composer/violinist Malcolm Watson. They travelled from San Fransisco towards the UK, France and Germany. In France they appeared on radio and TV and played in official places, resulting in this album, from which only 200 were printed. A lack of immediate success resulted in the unsold albums being destroyed. Most of the time the duo seemed to have travelled and even busked on the streets. I guess that’s how they chose the title for their project of “Subway” to give it that underground feel and to remind them of where they were destined to disappear once more into the unknown. The songs on this album are really strong and the arrangements, which are violin picking and improvisations and orchestrations, with some vocal and some percussion effects on the first couple of tracks make them sound even better. With each track the songs get more hand percussion & drums added and some electric bass, progressing the inner evolution and energy inside them. By the fourth track, “All the good things” the music has some true acid folk psychedelic tension. The most progressive track is “Enturbulaton-free form” on side B, which uses this improvisation energy and adds even organ and mellotron, electric guitar and a couple of echo effects to this jam. This is followed by two more folk-rock singer-songwriting tracks. Worth mentioning are the fine drumming with bass and violin improvisations on "Rosanna Of The Roses". Last track, "Can I trade with you my mind" is a beautiful song with some depth in emotions in the words. Also this track builds up its own progressive arrangements, making a perfect conclusion for a classic album and unique moment of a short time to arrange well a couple of songs made on the road during their touring. PSYCHE VAN HET FOLK

Subway was a duo, consisting of an American and an UK-guy, who released their only album in France as 200 vinyls in 1972. There they lived and played both for some time as street musicians, who played their compositons even at Parisien subway, hence the bandname. Unfortunately the album fell through, so the unsold vinyls were melted, as usual in France at this time.The band presented a phantastic psych-folk music with prog-rock-elements. An absolutely top-album, which hopefully now will reach a bigger audience, as the original LP is very rare. Since the master-tapes were lost for a long time, we recorded our old original-LP and did remaster it by means of NoNoise of Cedar, so master-tape-quality is nearly reached again. This reissue was made as 180-gram quality pressing and includes an very interesting insert. Thanks to Irv Movrey and Malcolm Watson for their aid to realize this project. Amber Soundroom

Great album & one of my first uploads ;)

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Thursday, March 30, 2006

EZHEVIKA ARCHIVES

Dear Friends!

Don't forget to check archive pages - at the moment more then 100 albums reviewed. Would be great if you buy some of these CDs if you like them! Support indies & artists - and the beat go on!

Don't forget about the comment lines - I need your feedback & opinion.

Good weekend!
Lisa

Stray - Mudanzas (1973)

Stray were originally formed an amazing 37 years ago at a school in West London when four 14-year-old pupils decided to form a group. Calling themselves "Stray", the band managed to get regular bookings playing mostly soul and R&B covers until guitarist Del Bromham started writing original material which was in a heavier and more psychedelic style. In 1968 they became the youngest band ever to play at the famous 'Roundhouse' and two years later, still only 17 and 18 years old, signed with 'Transatlantic Records'. The first album, Stray is widely regarded as one of the most accomplished debut albums ever, particularly from such a young band.
Primarily a live band, the group still managed to release a new album a year for the next five years, increasing their output to two albums in 1976. The first five albums catalogued a band maturing and experimenting with brass, strings and more complex arrangements with the third album, Saturday Morning Pictures, being the undoubted pinnacle of Stray releases, displaying a maturity that was far in excess of most teenagers. A line-up change in 1975 saw Pete Dyer replace original vocalist Steve Gadd and the band signing to 'Pye Records' with whom they eventually released a three further albums which, with the exception of the excellent Stand Up And Be Counted, never really captured earlier glories. However, in the late 1970s, Stray found themselves out of place amongst the up-and-coming punk and new wave scene playing their last concert in December 1977.
1973-released fourth album from London-based heavy prog/ blues/ proto-metallers, a major influence on the Stoner and Doom movements many years later. Includes the classic 'Oil And Fumes And Sea Air' and 'Hallelujah' (no relation to Deep Purple, Leonard Cohen, Can or Happy Mondays tunes of the same name). Now includes three bonus tracks.Freak Emporium

Track list:
1. Changes
2. Come On Over
3. Alright Ma!
4. Oil Fumes & Sea Air
5. Gambler
6. Hallelujah
7. I Believe It
8. Pretty Thing
9. Soon As You've Grown
10. Leave It Down To Us
plus 3 bonus tracks

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Cohen-Solal, Jean - Flutes Libres & Captain Tarthipom (1971-73)

Born in 1946, Jean Cohen-Solal studied music at the National Academy in Nimes from 1956 to 1963. Flute was his major, but he also studied the double bass. He learned counterpoint, harmony, chamber music & orchestration. From 1963 to 1966, he attended the Academy of Versailles with Cazauran Stone as his double bass teacher, and studied flute with Roger Bourdin and Gaston Crunelle and with the CNSM of Paris.
In 1965, Jean made connections with the GRM (Group of Musical Research of the ORTF). Between 1966 to 1973 he worked on the phenomenally popular French animation "The Shadoks", a series by Jacques Rouxel. He created the voice "Shadok", did the sound effects, and served as assistant and musical interpreter. In 1969, he was a prize winner at the international contest of flute of Montreux (Switzerland). He also won the prize at the International Contest of Chamber Music at Colmar. From 1970 to 1989, Cohen-Solal taught flute in the Paris area at a variety of academies and workshops. Jean's history as musician is long and fascinating, with his career as theatre and film composer.
In 1971, Jean released his first solo album Flute Libres and in 1973 Captain Tarthopom. Considered MASTERPIECES among progressive rock collectors all over the world, the first album is built around three short compositions on side A which are quite interesting and catchy. These pieces include the Indian Raga (sitar, tabla and flute), an exciting meeting between Eastern and Western cultures. Side B of this album is a 17-minutes epic, pure research of sounds, where Jean is experimenting in a way that sounds like early Tangerine Dream. Jean developed his own style with the flute -- a mix somewhere between classical and jazz to avant-garde. Many techniques were used in this recordings, consisting of (among others) of the use of multiple tracks for different flutes and added effects like distortion, wha wha, and others. He also played the double bass in a very unique way that took his music into darker atmospheres.
Captain Tarthopom, his most sought-after album, was released in 1973.This album is like a mix between Pink Floyd (Ummagumma era) , Magma, Focus, and Jethro Tull. The album is wrapped in a GREAT sense of humor and incredible production with fantastic guest musicians.
Jean Cohen-Solal is a name you'll find on the famous Nurse With Wound list and he fits there perfectly. While almost completely unknown outside of France, Jean Cohen-Solal deserves to sit with the most famous progressive rock bands. MIO Records

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Troya - Point Of Eruption (1976)

Troya play competent symphonic prog, a bit like Camel or Eloy. Great symphonic rock featuring mellotron and flute, excellent keyboard playing and a fine guitar, no weak passages. Three of the six tracks are instrumentals. In his book "Cosmic dreams at play" (Glasgow 1996), the Norwegian Dag Erik Asbjørnsen lists "Point of eruption" among the ten best Krautrock LPs of all time, and quite rightly so. The only drawback is its short playing time. Thanks to the smallness of the edition (only 200 copies), the record is now worth between 1000 DM and 2000 DM (US$500-1000) among collectors. It’s a pity that this is the only work the band from Werne an der Lippe, at the north-eastern edge of the Ruhr Area, has ever released.


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Garden Of Delights

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Wednesday, March 29, 2006

Covenant - Nature's Divine Reflection (1992)

Symphonic Prog band based in Texas, with a keyboard oriented music. Dave CRYDER is the unique actor of this instrumental music. His choice goes undoubtedly to the ancient analogical keyboards (Hammond, Mellotron, Prophet, etc..) and his style can be compared to the symphonicism of Rick WAKEMAN. Recommended to fans of long keyboard jam compositions.

Dave Clayder not only plays drums and percussion but also an impressive amount of vintage keyboards: Hammond B3 organ, Mellotron, Solina string-ensemble and the synthesizers Prophet 5, Korg CX-1 and Korg M1. On the 17-minutes opener "Nature's divine reflection" (featuring guest musician Bill Pohl on guitar and bass) it's obvious that the keyboards are omnipresent: fluent rhythms with flashy synthesizer runs and sumptuous Mellotron waves. The other two compositions "Eschatolix" (6 minutes) and "Sun-child's spiritual quest" (almost 20 minutes) also deliver very pleasant work on the keyboards so if you like the wonderful and distinctive keyboard sound of the Seventies, here's a fine one from Greg Walker's progrock label Syn-Phonic! Erik Neuteboom Prog Archives


Members:

Dave Cryder - all drums and keyboards
Bill Pohl - guitar on 1

Tracks:

1. Premise of Life:
a) Thanatopsis
b) Nature's Gift
c) Ascension
d) Spiritual Forces
e) Eternity's Call
f) Synopsis

2. Eschatolic Covenant
3. Sunchild's Spiritual Quest Through the Forest of Introspection:
a) Acquiescence
b) Catharsis
c) Assessment of Reality
d) Enter the Sacred Labyrinth
e) Metamorphosis / Transformation
f) Across the River of Souls
g) Through the Gates of Emotion
h) Storm of Centuries Past; Rebirth
i) Sunchild's Lament
j) As One with the Infinite Spirit

Available from Syn-Phonic

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Apple - An Apple A Day... (1968-69)

CD version of this album recorded in 1969, this album is one of the lost nuggets of British psychedelia. Mixing whimsical trippy fancy with heavier R 'n' B, this Caleb Quaye produced effort changes hands for silly money in its original form. Freak Emporium

This is one of the most sought-after UK psychedelic albums. It's a fine amalgam of psychedelia and heavy R&B though not all the material is good. Their first two 45s are included and these four tracks are among its finer moments. The most psychedelic being The Otherside and Buffalo Billycan. The most commercial being Doctor Rock, a straight-ahead rocker, and Let's Take A Trip Down The Rhine. There are also a couple of good Yardbirds' covers - Rock Me Baby and Psycho Daisies - and a competent effort at the Lovin' Spoonful's Sporting Life. Not as inventive as the Open Mind LP, for example, but with just a couple of throwaway tracks, it does deserve to be up there as one of the gold nuggets of British psychedelia. Tapestry Of Delights

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Banda Love & Peace - Versiones En Ingles (1971)




The LP by hippy vegetarian yoga commune from Mexico. Style: latin rock or in other words: "...la temática musical abarca desde ritmos latinos, rock, blues, psicodelia floydiana y hasta algunas aproximaciones cuasi progresivas en una veta cercana a Deep Purple." Progresiva 70's

More information welcomed.


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Magma - Rock Duo Magma (1975)

Amazing German duo that play high pomp jazzy progressive-rock similar to Hardin and York . Very rare on vinyl and only recently discovered by collectors, this is filled with rhythmic drum work (similar to the Linder And Bohn album) and percussion combined with symphonic synth fusions that achieve amazing levels of creativity and intensity. The full 1975 album plus 5 bonus track.Freak Emporium

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Garden Of Delights

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Tuesday, March 28, 2006

Graffiti - Graffiti (1968)

Produced by Bob Thiele (Ford Theatre, Eden's Children etc.), Eddie Kramer and Jay Senter, their album is a mix of light and heavy rock with some occasionally excellent guitar solos, leaning more towards progressive than acid or psych. Strunz and Benderoth, sometimes helped by St. John and Taylor, wrote all the songs, except Ugly Mascara penned by Ronald Hovanecz.
The band were based in Greenwich Village, having relocated from Washington DC when they were known as The Button, (which was the final incarnation of The Hangmen). The Button line-up included drummer Bob Berberich who returned to DC, teamed up with two other ex-Hangmen and Nils Lofgren to form Paul Dowell and The Dolphin and later Grin.
The CD reissue includes the non-LP He's Got The Knack. The track, which can also be found on Turds On A Bum Ride Vol. 3(CD) and World Of Acid(LP), is a fast 'n' fuzzy mainly instrumental post-Vanilla Fudge rocker. The 45's flip Love In Spite is also pretty good heavy stuff too.
(Vernon Joynson / Max Waller/Stephane Rebeschini/Bob Embrey) Fuzz, Acid & Flowers


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Monday, March 27, 2006

Saga De Ragnar Lodbrock - S/T (1979)

Exhumed from the depths of a long forgotten past, SAGA DE RAGNAR LODBROCK is a numerous line-up gathered around the theatrical singer-composer Franзois PROUST and guitarist Patrick ALLIARD. Their aim was to illustrate the conquest of Normandy by the feared Northern men (The Vikings), through an epic fresco, or, said differently, a saga… The music filled with traditional and medieval aspects starts off very classically and gets a little tougher as the battle looms. It will actually be told with a lot of details in a very convincing way that will certainly lead you to think about and actively participate to it in direct. Great names of Progressive rock contributed to this great project, such as the American drummer Kirt RUST (VOLKOR, WEIDORJE), Jean COHEN-SOLAL or Jean-Louis MECHALI. It has to be said that quite a few acoustic songs destined to a theatre adaptation (such as “La Ballade Des Pendus” from Franзois VILLON) of PROUST have been included here…

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Young Flowers - Blomsterpistolen/No.2 (1968/1969)

At last on CD, the fine 1968 debut from the famous Danish '60s psychedelic band. Packed full of fuzzed up guitars and with acid jams a plenty, you also get their 1969 album as well. Including an electrifying 10 minute jam session with Burning Red Ivanhoe. Superb stuff! Freak Emporium

The musicians from Young Flowers had a great influence on danish progrock in the late sixties and the beginning of the seventies:
Band: Peter Ingemann, Peer Frost (Rainbow Band, Midnight Sun, Savage Rose) Ken Gudmann (Culpepers Orchard, Defenders, Danish Sharks)

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Ocean - God's Clown (1976)

Many are fans of LED ZEPPELIN who ever regret that their favourite band was not giving all it has got in Progressive rock, even if Jimmy PAGE's bearing ant its friends frequently tended to be close, displaying too rarely ("The Battle Of Evermore", "Dazed And Confused", "Stairway To Heaven", "Kashmir", "No Quarter"...) a more than awesome potential. "God's Clown" certainly isn't an album of the mythic english Airship, although it's looking like, so much about compositions as the quality of the instrumentalists or as an outstanding production at the time. However, OCEAN is a true French quartet ! Founded in 1974 with the impetus given by the guitar and keyboard player Georges BODOSSIAN and after two years of wandering, the line-up releases this first album on major label Barclay, that is an epic portrait of 40 minutes ! Music appears to be blend with LED ZEPPELIN Progressive rock in a KING CRIMSON style. Exclusively English, Robert BELMONTE's sometimes androgynous vocal faithfully evokes Robert PLANT, as well as Andrй BALZER of ATOLL. Leader's guitars soli would be played by Jimmy PAGE having discover the Robert FRIPP style, while the rythmic section including bassist Noлl ALBELORA and drummer Bernard LEROY contributes to make this album a genuine misrecognized opus.

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Alan Jack Civilization - Bluesy Mind (1969)


Rare continental blues LP that sounds like a wilder version of Aynsley Dunbar's Retaliation, lots of guitar riffing and doomy vocals that sometimes call Jaklin to mind.

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The Crushers - Glory Of The Day (2002)

These guys are something! I wish you could see them alive playing joint set with Creatures Of The Golden Dawn in Moscow. Russian feak out garage psych. One of the best bands to come from Russia ever! Highly recommended.


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Sunday, March 26, 2006

All areas pass

Evening Everybody!

Funny thing: again many comments concerning password problems ;) For newcomers & MAC users - please read below & find (hopefully) the solution for pass problems (thanks to anonymous friends posts in comments):

It seems like the trouble is that the files dont work with the "Stuff it expander" applikation on mac os x.Instead use the applikation UnRarX (download at http://unrarx.sourceforge.net/ ) and it will work.(dont forget to first write the password before you drag n´drop the file in UnRarX window.Yes, the problem is not copying the passwords correctly (which everyone seems to be doing) but rather the various unstuffing programs incompatibility with the encrypted files - especially mac osx's apps and older versions of stuffit.

Sorry, guys, this problem was requested, discussed & solved several times here! I simply can't understand why using standard WinRar programm causes so many problems. Hopefully this post will solve the problem again.

Take care,
Lisa

P.S.: I will continue with passwords for obvious reasons ;)
P.P.S.: Thank you for all the friends posting comments here! Silent friends - don't be shy - looking forward for your feedback!

Saturday, March 25, 2006

Gallery - The Wind That Shakes The Barley (1972)

Very rare UK style folk rock, and another privately pressed folk rariety from the mid seventies.( now fetching Ј400.00 on the collectors market) With fine guitar and mandolin work from Steve Morrison this is classic UK '70's hippy folk with a traditional edge. Also includes extra unreleased material from an informal rehearsal in 1969 by the band. Freak Emporium
The track " Queen of Hearts " I believe is incredibly beautiful, essential. For the rest it's a nice folk album.
Bruton Town Newsletter comments on this item :
"It is a beautiful record, released on MIDAS label in 1972. In my research I've found only one of the personnel names, the female voice, Barbara Seabourne. The record title is "The Wind That Shakes The Barley" (Kissing Spell KSCD9503-f) and some of you could instantly remember the Dead Can Dance late version of this beautiful traditional here included. On the KS version there is also a 20 minute bonus track that was recorded in 1969 (so the record notes).
Seems that this MIDAS label pressed also a record from a band named "Folkal Point" and two solo records from a certain Janet Jones.
The Gallery sound is not "acid" folk, but more traditional stuff, well clever done."
"The Gallery album is superb IMO. The label was set up by Alan Green who was also behind the Folk Heritage / Westwood labels. Gallery is phenomenally rare as an original LP (About £1000). Equally as rare is Folkal Point (Even the band only have one copy between them!!) Janet Jones did 2 for the label and both are more common, but excellent" Ian from Ammonite Records
"Actually the members of the band were
Royce Seabourne- Vocals
Barbara Seabourne- Vocals/Dulcimer
Mark Uttley- Violins
Steve Morrison- Guitar
Alan Morrison, Steve Morrison's brother played on many of their records/ performances when Steve was not available- including 'The Wind That Shakes the Barley'." (according to Ché Royce Seabourne) http://psychedelicfolk.homestead.com/

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Natural Acoustic Band - Learning To Live/Branching In (1972)

Twofer including the first two albums from acoustic folk trio, originally released on RCA in the early 1970s. Hailing, like their comtemporaries Lindisfarne and Hedgehog Pie, from the North East of England, the band were a firm favourite on the college circuit- but their albums have been obscure and difficult to find until now. From songtitles like 'Ther's Nothing Unnatural About Electricity' 'Subway Cinderella' and 'Little Leaf' they sound like they spent their entire lives busking in woods and parks: whatever, these albums conjure up the magical atmosphere of this era of hippy folk perfectly. Freak Emporium

Formed as a folk duo in Milngarie, Glasgow, Scotland, in 1969. Tom Hoy was a Glaswegian by birth and Robin Thyne a Geordie. Krysia Kocjan who had a Flemish mum and a Polish dad, joined early in 1971. She was a talented vocalist who brought them a good degree of publicity - they were often billed as The Natural Acoustic Band featuring Krysia Kocjan.
Learning To Live was a good progressive folk effort notable for Kocjan's vocals and similar to Dando Shaft. It came in a lovely gatefold sleeve. The follow-up was similar musically. Both albums were produced by Milt Okun, who had worked extensively with Peter Paul and Mary.
In September Amin Mohammed was recruited as bassist, but Krysia left the band the following January to pursue a solo career. She was replaced briefly by Joanna Carlin, though this didn't work out due to 'musical differences' and the band soon was reduced to a duo again with Thyne and Hoy. The pair as a duo until 1975 when Hoy joined Magna Carta. Thyne followed him into Magna Carta a couple of years later, though in 1979 they both left to form Nova Carta, but that's another story. Kocjan released a solo album in 1974 and has worked for Ray Davies, Mike Heron and Robin Williamson among others. She now lives in the USA. Tapestry Of Delights

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