Showing posts with label pop. Show all posts
Showing posts with label pop. Show all posts

Sunday, February 10, 2008

Panama Limited - Indian Summer (1970)

Panama limited (no jug! ) band with their 4th and best psychedelic beefheartique folkrock from 1970. Posted by request.

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Tuesday, January 15, 2008

The Spectrum - The Light Is Dark Enough (1970)

I wish I knew more about this UK group. While they only managed to record one rather rare LP, during the 1967 - 69 timeframe they generated an extensive singles catalog that's quite diverse and commercially attractive.
RCA Records was apparently the brainchild behind the group with their rather transparent aim being to come up with a Monkees-styled outfit with commercial potential. The original line-up consisted of lead guitarist Tony Atkins, keyboardist Bill Chambers, singer Colin Forsey, brother/drummer Keith Forsey and bass player Tony Judd. Starting with 1967's 'Samantha's Mine' b/w 'Saturday's Child (RCA catalog number RCA-1589), the group released a string of nine singles that sold well throughout mainland Europe, but did little in their native UK and generated even less attention in the States.
Released in 1970, "The Light Is Dark Enough" offered up a mixture of earlier singles and new studio material, essentially serving as kind of 'best of' retrospective. Interestingly, while the band's occasionally slapped with a psych label, musically most of the ten tracks reflected a distinctive pop orientation. That was certainly the case for the group's better known works including 'Headin' For A Heatwave' (# 1 in Spain), a rather rote cover of The Beatles' 'Ob-La-Di, Ob-La-Da' which went top-20 in Germany and 'Portobello Road'. Mind you, anyone recording in the 1967-69 timeframe was bound to have been effected to some extent by their surroundings and Spectrum was no exception to the rule. While not exactly acid soaked, tracks like 'Nodnol' (London spelled backwards), the Procol Harum-ish instrumental 'Walrus & The Horse' and 'Mandy' all showcased lite psych touches, though nothing that was a threat to their commercial orientation. Certainly part of the band's appeal lay in the fact Colin Forsey had a winning voice that occasionally reminding me of a Davy Jones bulked up on steroids (check out 'Glory' and the title track). Similarly, the rest of the band were never less than professional with guitarists Tony Atkins and John Beattie turning in several nice performances on material like the rocker 'Jacqueline'.

"The Light Is Dark Enough" track listing:
(side 1)

1.) Ob-La-Di, Ob-La-Da (John Lennon - Paul McCartney) -
2.) Mr. Jenkin's Brand New Boots (Colin Forsey) -
3.) Nodnol (Colin Forsey - Peter Wood) -
4.) Walrus & The Horse (instrumental) (Peter Wood) -
5.) Glory (Richard Kerr - Maitland) -

(side 2)
1.) Portobello Road (Marsh - Veal) -
2.) Mandy (Colin Forsey - Keith Forsey) -
3.) Headin' For A Heatwave (Roberts - Kinsella) -
4.) Jacqueline (Andrews) -
5.) The Light Is Dark Enough (Richard Kerr) -

In addition to the singles and LP, the group recorded some material for a several films, including 1969's "The Reckoning" (they also has a small role in the film). They also wrote and performed the title track to the British kids television series 'Captain Scarlet & the Mysterons' (no I'm not making that up).
Keith Forsey went on to enjoy considerable success as a songwriter (you can blame him for writing part of 'Flashdance (What a Feeling)', as a producer (you can blame him for Billy Idol's "Rebel Yell" and The Psychedelic Furs "Mirror Moves") and as a film score composer. Taken from Bad Cat

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Sunday, January 13, 2008

Nasty Pop - Nasty Pop (1975)

UK powerpop. Posted by request

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Tuesday, August 14, 2007

Nasty Pop - Mistaken I D (1977)

Second album. Posted by request.

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Sunday, March 11, 2007

The Aquarians - Jungle Grass (1969)

Beautiful bossa/latin jazz lp with psych pop elements and superb female/male vocal harmonies with help from Dave Mackay and Vicky Hamilton,arranged by latin jazz master Vladimir Vasilief and featuring top jazz musicians like Bobby Hutcherson,Joe Pass,Francisco Aquabella and more in a groovy hippy vibe with fantastic piano,vibraphone and flute solos,percussion breaks. Popsike.com

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Saturday, February 24, 2007

Coke - S/T (1972)

Funky Latin breaks and very groovy grooves -- the kind of record that you hear for only a second, and say "oh yeah, this is the stuff!" Coke were an obscure Florida combo who mixed together Latin, funk, and soul -- served up in a crossover style that's halfway between the sound of the NuYorican generation and the heavier hitters of LA's Chicano funk scene! Instrumentation includes organ, guitar, and trumpets -- and vocals are delivered in a brown eyed soul style that burns nicely with the heavier grooves of the group. But best of all is the drummer, who really kicks it large on the kit -- and creates some really nice funky numbers on the set! Includes the break classic "Na Na", plus the tunes "Got To Touch Your Face", "Te Amo Mas", "Quiero Decirte", "Bang Bang", "Bun Bun Bun", "You Turn Me On", and "Que Seria De Mi". A really great album -- with a totally unique sound!

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