Monday, July 10, 2006

Red Television - Same (1974)

Dark ultra rare and totally stoned acid folk private pressing from '71. RED TELEVISION trip out with twisted vocals of subversive nature combined with drowsy guitars creating an overcast atmosphere of melancholy, especially all their unique aspects culminates in the mournfull 15 minute long elegy "Ghost Of Emile Zola" a tense display of haunting voices and shivering guitar bursts.

Posted by request!

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Summertime requests

Dear Friends!

It's mid of summer - pretty hot , everybody thinks about vacations, for me there are were a lot of festivals & concerts recently - not too much time for blogging. So I'd like to work till end of summer mainly on request basis - your requests are welcomed! If I have it - I'll share it sooner or later (if it's worth sharing ;)

Still once a week (or two) there are will be a couple of posts from me & my friends.

Looking forward to hear from you ;)))

Enjoy the music!

Love & peace,
Lisa

Sunday, July 09, 2006

Radio Waves

Live is going on & new friends appear listen to Radio Waves 66 & leave your comment.

Take care,
Lisa

Saturday, July 08, 2006

Wonderland - The Best Of (1973)

Personnel:
ACHIM REICHEL g, v
(HELMUT FRANKE g) A
KALLE TRAPP g, v
(LES HUMPHRIES kb) A
CLAUS-ROBERT KRUSE kb, g, b, v
FRANK DOSTAL v, b
DICKY TARRACH d

This was a beat band formed at the beginning of 1968. Reichel and Tarrach had previously been members of the most famous German beat band: The Rattles. Wonderland recorded three singles before Humphries and Franke quit at the end of 1969, to be replaced by Kalle Trapp and Claus-Robert Kruse. One year and a single later the band ceased its activities, with Reichel and Dostal teaming up for the Wonderland Band album, to which Franke, Tarrach, Trapp and Kruse all contributed. All Wonderland singles and four tracks for a projected album were collected in 1973 on a Karusell sampler.

WONDERLAND BAND - One of Achim Reichel's strangest projects occurred in l97l, after the demise of Wonderland. His long time collaborator Frank Dostal followed him from this band. Together they recorded as Frankie Dymon Jr. as well as the very different Wonderland Band, whose album was an ambitious production featuring 25 guest musicians, among them Clauk-Robert Kruse (guitar, organ, vocals, arrangements), Helmut Franke (guitar), Ladi Geissler (guitar), Hans-Uwe Remers (piano, arrangements), Benny Bendorf (bass), Hans Hartmann (bass), Kalle Trapp (bass), Joe Nay (drums), Barry Reeves (drums) and Dicky Tarrach (drums, chimes, trumpets and trombones). The results sounded close to the eclectic solo album Die Grune Reise, but Reichel's echo guitars were in this case replaced by solid doses of brass! Wonderland Band's No. 1 was equally weird with boogie rock, vintage glitter rock and folky ballads spiced with incredibly strange brass arrangements. It was hardly a great success (however, there are highlights!) and proved to be a one-off, although a 1972 single featured two unreleased tracks: "Rock'n'Roll People" coupled with "King Of America". Taken from Cosmic Dreams At Play

Listen to the "Moscow"!


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Again...

Dear Friends,

I'm receiving comments from some of you asking about Premium Rapidshare account doesn't work due to new links I use. If there is a solution (anybody knows?) - I'll post it here sooner or later , but at the moment I don't care about any premium accounts - if you like to have this rare album (some of them are very difficult to get, believe me!) you can wait 60 secs or login like free account user & download this album. You are sitting home & choosing rare records from this or that blog, stop complaining! Or go & try to buy this record (good luck in this...)

Moreover, it wasn't my decision - I just want to protect links so YOU can have the possibility to listen to these albums...

Take care,
Lisa from the East

Elster Silberflug / Schwan / Fiedel Michel / Liederjan - Volkslied 76 (live)

Various German folk acts live.

Link

Dieter Sueverkruep - 1848 (1974)

German political folk.

Link


Tanzbar - Missethaten (1979)

German folk.

Link

Fiedel Michel - Der Teutsche Michel (1974)

German folk.

Link

Alia Musica - El Canto Espiritual Judeo-Espanol

Alia Musica was formed in 1985 in order to perform early music, particularly that from the Middle Ages, giving a special emphasis to the study and interpretation of the Spanish-Jewish repertoire. In its concerts and programmes devoted to these two chosen fields, the group makes use of its own research as well as the latest musicological findings, whether they come from theoretical studies of the sources or from practical experience in the living oral traditions found in Western music. Alia Musica has given many concerts participating in festivals and series throughout Spain and the rest of Europe, as well as in the United States of America, meeting wide-ranging applause and approval from audience and from critics alike. The group records exclusively for harmonia mundi.

Available from Harmonia Mundi


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Ambrozijn - Same (1998)

Chamber/avant-folk from Belgium.

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Emma Myldenberger - Emma Myldenberger (1978)

Excellent german folk-rock 6-piece band. Mixing puristic folk, progressive, medieval and psychedelic influnces. Male/female vocals. Mainly, acoustic instrumentation (guitars, flute, oboe, okarina, bass, glocknspiel, mandoline, krummhorn, autoharp, plenty of percussion). This is their great debut from 1978.

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New linking way

Dear Friends,

Due to bad weather recently in the blog world, from know all links will have the new look here at EZHEVIKA FIELDS:

1. Link:

If you have clicked the link, then you will have been taken to another Site which has a button on it.....then all you need to do is click that button & you'll be directed to Rapidshare page.

If you don't see the button, then you must do the following 2 things:
Make sure you have dropped your firewall.
Enable Javascript in your browser settings.

2. Button:

Click it & you'll be directed to Rapidshare page.

Hopefully this will help! Thank you, Jiltz! ;)

Take care,
Lisa

Zeitenwende (Elster Silberflug) - Zeitenwende (1979)

Elster Silberflug´s artistry skillfully marries many stilistic genres without abandoning the medieval musical tradition. Medieval ideals are not lost in history, but are being rediscovered in our own times of similar enlightenment. Years of pessimistic idealism are being abandoned, the vision to free oneself from the narrowminded perspective that the world offers, and from the conception that one is an isolated struggler in a world of foes, has initiated a renaissance in the realisation of man being a unifying element with all creation. The great medieval symbol, the Wheel of Fortune, is once again turning, rekindling in the hearts of the minstrels the desire to inform all, of the eternal games that life playfully beholds. Elster Silberflug is a consort for medieval and renaissance music, and also for german folk music. Since many years, we have been playing on beautiful castles and marketplaces and in the concerthalls of Germany and the surounding countries, Music of the medieval wayfarer and vagabond. Music which rang in the streets, markets and taverns of times gone by. Music of the minstrel and the troubadour. The essence of this epoch has been captured by the "Elsters" since 1973, when we began our venture into the land of our musical fore-fathers and the pursuiance, in their footsteps, of the minstrel lore.Our quest is to spread across Europe, through our music, tales of the secrets of nature, of human aspiration and destination, the vanity and fraility of human nature, the desires of the young and the sceptisicism of the old, -always in mind, the imperishable quality of love-. Our extensive repertoire includes songs written by the famous minstrels of the time, - Walther v.d. Vogelweide and Neidhardt v. Reuenthal, Saltarellos from early-medieval Italy, wild dance-tunes danced to, by the countless peasants in the villages and towns in central europe and many texts and melodies out of the great historical song-book called "Carmina Burana".( A collection of worldly songs about love, drink, life, authorities, money and all... )Elster Silberflug sing in German, mittel-hoch-deutsch. Italian, Spanish, French, Latin and English. This year we will be travelling to many renaissance-fairs (Mittelalter Märkte) around Germany. If you are in Europe, visit Elster Silberflug on one of the markets and experience the real thing - a band of troubadours in colourfull costumes, singing and entertaining the scores of visitors who come to see, feel and hear the medieval-times......today! If you want to order any of our CDs or have questions regarding medieval-music in Europe, please contact us!
mailto:silberflug@hotmail.com

Discography & more info at Elster Silberflug home page

Triskell Vinyl

Link







Rock-Consort München - Renaissance Meets Rock (1980)

German folk-sympho-prog. Private Press.

Friday, July 07, 2006

Selda - Turkulerimiz 2 (1973)

Turkish psych.

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Avaric - Same (1979)

AVARIC is a Progressive rock group led by multi-instrumentalist Lionel BAILLEMONT. One thinks of MALICORNE because of their magnificant combinasions between traditional and electric instruments. The beautiful melodies exploit the talents of the groupe and illuminate the purity of the vocals.

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Sunday, July 02, 2006

Check the Dutch!

Hi my friends!

Check the Dutch specialties at Dutch Originals & Flexine!

Good night,
Lisa

Sourdeline - La Reine Blanche (1976)

FANTASTIC French FOLK PROG ROCK. One of the best & most highly sought after French LPs.


Prehistoire Du Folk

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Faubourg de Boignard - La Ravine (1995)

Faubourg’s Music is traditional French from central France but anybody would be forgiven if they thought it had heavy traditions] African touch and at the same time was a cross between soft rock and jazz.One of the seven members of the band, Didier Gris, explained backstage
that their music is a fusion of rock, European traditional, oriental and African music.It is a rich melting pot of several instruments - the bagpipe, the diatonic accordion, violin, drums, mandolin, guitar, bass guitar, bouzouki and the human voice. Lusaka -ZAMBIE, Sunday Mail February 11, 2001

Faubourg De Boignard

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Jox - Joxifications (1982)

France. Excellent progressive folk with medieval & GENTLE GIANT touches, private press.

Vinyl Collector

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Breche - Carapace Et Chair Tendre (1979)

Quebec, Canada. Breche is one of the folky bands on the Le Tamanoir label, which released their only album "Carapace Et Chair Tendre", in 1979. a quartet of Marc Bolduc (piano/woodwinds), Daniel Roussell (guitar/plectra), Jaques Joubert (violin) and Paul Bolduc (bass/trombone).
Most ofthe material is instrumental progressive folk with emphasis on violin & flute. More info at ProgQuebec

Link

0.720 Aleacion - Same - (1986)


Great Mexican prog rock with an ethnic edge.

Link

Noetra - Definitivement Bleus (1982)

Fairly gentle chamber progressive with occasionally some sharper edges bringing them soundwise closer to Carpe Diem or Shylock. Altogether melancholic, but good chamber progressive. Gnosis 2000

Masterminded in the mid 70’s by guitarist composer Jean Lapouge, this all-instrumental French band mixes rock, jazz and chamber music while never completely going into any one style. Inspired by the Canterbury movement of the day, they used STRAVINSKY and DEBUSSY as their influences and sprinkled them with subtle touches of rock and jazz (HATFIELD AND THE NORTH, SOFT MACHINE, WEATHER REPORT, OREGON, EBERHARD WEBER). Failing to strike up a deal with ECM, however, they didn’t release any albums and ended up dissolving in the mid-80s. In the early 90’s, however, Musea gathered material that had been recorded between 1979 and 1981 and released two quality NOETRA CD’s plus a solo album by Lapouge (“Hauts Plateaux”). Both NOETRA albums, “Neuf Songes” and “Définitivement Bleus”, feature a large cast of musicians whose tasteful and restrained playing create an intelligent, sophisticsated, almost impressionistic type of music based on beautiful electric guitar and delicate drumming. The mellow, almost melancholy tunes are embellished by classical instruments like the violin, saxophone, cello, trumpet, clarinet, trombone, flute and oboe among others. Never falling prey to avant-garde excesses, the music does have its occasional sharper edges but nothing ever approaches the darkness of UNIVERS ZERO, for example. The pastoral jazziness may require some focused and dedicated listening, but the listener’s patience is definitely rewarded as the albums unfold.Especially recommended to fans of JULVERNE, but fans of TERPANDRE, CARPE DIEM and SHYLOCK as well as Canterbury enthusiasts in general (both connaisseurs and neophytes) should also appreciate. Lise (HIBOU), CANADA Prog Archives


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Saturday, July 01, 2006

Ocarinah - Premiere Vision De L'etrange (1977)



Private press. Fantastic french progressive trio blending synths/guitars, bass & drums in a delicious dark instrumental soundscape menacing and brilliant. Wild Places




Sunday, June 25, 2006

Elektriktus - Electronic Mind Waves (1976)

With just an album with their name, and no mention of their identity, Elektriktus are a mysterious group that only released an LP on the PDU label in 1976. The LP was recorded in Italy, but there's no proof that the group was really from Italy.
The album, called Electronic mind waves, includes eight synthesizer-led compositions that show a great influence from the german cosmic music; in fact this is one of the most krautrock-inspired albums from Italy, and not unlike some of the early works by Roberto Cacciapaglia. For this reason it's not a surprise that it appeared on PDU, as this record company distributed in Italy most of the production of the german Kosmische Kuriere and Ohr labels.
Musically speaking the album will appeal to the keyboards fans, though some interesting variations can be heard in some tracks, as an upright bass part in First wave. ItalianProg

Often overlooked due to its much more well-known symphonic cousins, the electronic artist known as Elektriktus was a virtual iconoclast in mid 70s Italy, perhaps only approached by Roberto Cacciapaglia at the time. Finding more in common with Conrad Schnitzler than Klaus Schulze, Electronic Mind Waves sends shimmering waves of synthesizer patterns forward through a journey that is plotted out by flying, kicking off the voyage in "Frequent Departure Flying at Day-Break." Some interesting things begin happening when stand-up bass begins improvising on "First Wave." However, while Schnitzler's music was often formless, Elektriktus gets the sequencers going pretty early on, and there is usually a sense of patterning going on throughout. The synths often shimmer in the background, and as the album progresses, it seems to grow quieter and more meditative. While thematically Elektriktus seems to have set up a conceptual motion, the music seems to sort of meander by the end of the album. Overall, a good piece that, perhaps, lacks a bit of distinction. Mike McLatchey/Gnosis 2000

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Saturday, June 24, 2006

Check what time has told us!

Let's welcome Lizardson & his Time Has Told Me blog!

Take care & I'm off for the festivals for this weekend!

Lisa

Friday, June 23, 2006

Yug Prog

Dear Friends!

Looking for progresive rock from Yugoslavia? Visit Najpogodnije mesto

Take care,
Lisa

Friday, June 16, 2006

Black Pearl - Black Pearl (1967)

When Moulty, The Barbarians drummer left the band, the remaining members (Fieldings, Causi and Benson) moved from Boston to San Francisco and with the addition of fellow Bostonian Jeff Morris and Molcahy and O'Connor formed Black Pearl in 1967.
The bands three guitar line-up created one of the first heavy psyche groups, with strong R&B roots. Their first album, produced by Lee Kiefer and Richard Moore, contained nine short tracks, with titles like Crazy Chicken, White Devil and Mr. Soul Satisfaction. It's cover was designed by Eve Babitz.
The second album was recorded live at the Fillmore West in September 1968 and contained an eleven minute version of James Brown's Cold Sweat.
Bernie Fieldings also guested on Fusion's Border Town album.
Compilation appearances include: Forget It on Nuggets, Vol. 6 (LP).
(Stephane Rebeschini/Max Waller) Fuzz, Acid & Flowers

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Thursday, June 15, 2006

Christodoulous Halaris, Dafni Zouni & Nikos Xylorius - Tropikos Tis Parthenou (1973)

The excellent Greek folk-traditional album with notable orches tration and instrumen tation, the first by Christo doulous Halaris was "Tropikos Tis Parthenou (i.e. Tropic of Virgin)" (EMI COLUMBIA SCXG 100-r3) with great singer Nikos Xylouris. Also all his later 70's albums including his best, the 1975 LP "Drosoulites (i.e. Day Break Riders)" (EMI 2J062 72181-R2) are intense original eastern folk/prog gems. Taken from "A Guide To The Greek Pop & Rock Music 1965-1990"

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Monday, June 12, 2006

Kolinda

Kolinda plays complex folk music with diverse instru mentation and with medieval and Eastern influences. They lived in France for a time, and were produced by Hughes de Courson of the French folk group Malicorne. Kolinda disbanded in 1979, only to reform five years later.

After playing as a group for 11 out of the past 16 years, with 7 albums under their belts, Kolinda is still relatively unknown in their native Hungary and virtually unheard of in North America.
"They're one of the most interesting European groups that I've heard," says Gary Cristall, organizer of the Vancouver Folkfestival, "but they do it in a different way. Even though they were doing traditional stuff, it had a different edge to it. They've never been looked on very favorably in Hungary. They were always a little too far outside."
Kolinda's reputation for being outside comes from the way they mix elements of Hungarian and Balkan folksongs with a large amount of jazz, a bit of classical, and even a few notes of rock. Their music manages to melt the passion and urgency of gypsy music with the cerebral with of cool jazz, an exciting combination that makes them one of the most successful hybrids of folk and contemporary music around today.
Kolinda first formed in 1974, and in the next four years they released three albums on the French Hexagone label. But in 1978 the group disbanded and the members went on to other projects.
In 1984, the group got together for a reunion tour. They've been playing together ever since, and have recorded four albums. But even with their diverse sources of inspiration , Kolinda never sounds contrived.
While other "ethnofusion" bands often seem like a patchwork of styles and cultures - contemporary instrumentation precariously and arbitrarily tacked on to ethnic folk music - Kolinda always sounds inevitable. They weave all their various influences together so seamlessly that it somehow seems as if it could be no other way. Their sounds is a solid, unified whole that blends fervor and freshness without a hint of artifice.

Contact: László Kovács
Kick-butt underrated Hungarian band. They probably don't like to call themselves progressive but they're just as progressive as most other 70's output. They're also very innovative. Masterminded by their founder Peter Dabasi, Kolinda invites you to partake in their sometimes insane, sometimes beautiful, sometimes hypnotic world of Hungarian folk and gypsy prog which includes a plethoria of exotic instruments, bombastic (at times) female/male vocal harmonizing, sometimes beautiful vocal harmonizing, etc. I cannot say enough good things about Kolinda. Everyone talks about Solaris and/or After Crying being the two primary bands from Hungary. Truthfully, Kolinda is every bit as good if not better.
They've been around since 1975 and have released a bunch of albums. Their 2nd and 3rd albums (1514) are probably their best but (unfortunately) hopelessly out-of-print. Their 2nd was on CD with the French Hexagone label and their 3rd (1514) was never released on CD but God knows they're better than tons of albums out there on CD.
They are still alive and recording even today and their latest Elfelejtett Istenek ("Forgotton Gods") is excellent and very 1970's sounding. -- Betta


Discography:
Kolinda (76)
Kolinda 2 (77)
1514 (79)
Makám & Kolinda (82, as Makám & Kolinda)
Szélcsend után (??, as Makám & Kolinda)
Úton (84, as Makám & Kolinda)
Kolinda 6 (88)
Transit (91)
Ösz (96)
Ráolvasás / Incantation (97)
Elfelejtett Istenek (00)


Members: Ferenc Kiss (violin), Péter Dabasi (tamboura, guitar, gadulka, vocals), Ágnes Zsigmondi (vocals, flute), Iván Lantos (vocals, bass, percussion, flute, bagpipes), András Széll (vocals, violin, 1975-79), Dóra Kovács (vocals, violin, flute, 1975-79), Ferenc Molnár (kaval, Turkish oboe, 1977-78), Attila Zombori (darbouka, percussion, 1978-79), Szőke Szabolcs (gadulka, 1978-79)

Makám & Kolinda - Szélcsend után (1984)

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Kolinda - 6 (1987)

Link

1. Nyolcsoros eight lines
2. Félek: Bevezetõ fear: prologue
3. Félek: Vers fear: verse
4. Félek: Befejezés fear: epilogue
5. Pastor ludens pastor ludens
6. Hajdut énekek hajdukt songs
7. Számum hot dry sandstorm
8. Ébredés #1 awakening
9. Ébredés #2 awakening 2
10. Forgó öt turning five
11. Lépések a tûz körül #1 dancesteps around the five
12. Lépések a tûz körül #2 dancesteps around the five 2
13. Bolgár kitérõ bulgarian detour
14. Alkonyat virradat sunset sunrise
15. Túl késõ too late



Kolinda - Ráolvasás / Incantation (1997)

Link

1. Hármasugrás
2. Szótlan dallamok
3. Ráolvasás
4. Álom-tó
5. Botladozva
6. Elégia
7. Kötõdések
8. Hétrõl hétre
9. Négyszemközt / Air az ötben
10. Tivadar - hommage á Jacob van Eyck
11. Vadorzó
12. Románc
13. Coda
14. Újra együtt



Dickens - Royal Incarnation (1969)

French psychedelic rock - did it exist? Yes, but not exactly in abundance, and mainly restricted to singles & EPs (Les Goths, Tac poum Systeme). One of the few exceptions to this is the ultra-rare album by Dickens. These guys were probably well acquainted with the US undeground bands, at least judging from "Ange De Lune", a French adaption of asong recorded by theAmerican group Genesis. Apart from that, the group played their own material, with great guitar and organ driven psych comparable to the heavy LA sound (Iron Butterfly and Doors). Serge Baumer later played in the group Treponem Pal.
Andre Chabloz - vocals
Jean-Claude Tissot - guitars
Jacques Minary - keyboards
Jean-Claude Bertin - bass
Serge Baumer - drums

Taken from "Scented Gardens Of The Mind" by Dag Erik Asbjornsen

P.S.: Listen to "Genocide" - the must!!!!!

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Sunday, June 11, 2006

Brahman - Brahman (1971)

Canadian band. This eponymous release was the short-lived Brahman's only LP, which is too bad, because this first effort showed a lot of potential. Most of the songs were written by organist Robbie King (Skylark, Hometown Band, and, much later, Bryan Adams) and drummer Duris Maxwell (in Doucette with King, and later with the Powder Blues Band). Their blend of blues-rock, hard rock, and emerging prog rock often recalls Atomic Rooster & Procol Harum, an analogy sported as much by the style of the music as by King's riveting, rocking abilities at the organ. Singer Victor Stewart's soul sensibilities are a definite plus, especially on the heartfelt "Jonathan" and "You Changed My Life Around," the latter slapping a ballad-type melody over a rock song driven by a mean bass riff played on a Rickenbacker. "Automatic Man" features odd rhythmic patters, a dirty organ riff, and a drum solo episode, but the unsuspected highlight is "She Went Down." Here, Brahman gets one iota shy of impersonating Gentle Giant, thanks to beautiful contrapuntal lines, a harpsichord, shifting time signatures, and Stewart's voice finding a fragility very close to Kerry Minnear's. The naivete found in some of the lyrics ("Build a Tower," "Jonathan") did not age well but, otherwise, this long-unavailable LP is worth seeking out. ~ François Couture, All Music Guide

Baghat Vinyl

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Thursday, June 08, 2006

Fiedel Michel - No.4 (1975)

German folk

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Beda Folk - Life (1973)

This group made a folk-rock album of Irish folk songs, named I Will Go (1975). The album contained 12 such tracks all arranged by the band. It was recorded In October 1973, produced by Fred Christmann and released on the short-lived Highdelberg-based label Happy Bird. Here you can listen to rare live album of the band.

Link

Anal Magic and Reverend Dwight Frizzel - Beyond The Black Crack (1976)

Beyond the Black Crack was the concept of Reverend Dwight Frizzell, a musician, film maker, Doctor of Metaphysics and minister in the Universal Church of Life. It remains a little known classic, and one of the most unique listening experiences in modern experimental music. Recorded between 1974 and 1976 in locations as diverse as factories, the pyramid opposite Harry Truman's grave site as well as more 'conventional' concert settings. Beyond the Black Crack is a dark, dizzying and exhilarating journey through free jazz, electronics and environmental sound, all shattered by Frizzell's radical tape editing. This CD re-release adds further material to the original LP: - "The Wandering Madness of Basilea", a suite from 1977 unheard until now, as well as unreleased material from the Black Crack sessions.
Beyond the black crack was originally released in mono in an edition of 200 copies by Cavern Custom in 1976 (cat. no. 6104-12), to commemorate the First Annual End of the World Celebration, November 18 1976.
BLACK CRACK AND THE SOLE SURVIVORS are: Rev. Dwight Frizzell - tenor saxophone, clarinet, audio oscillator, chair, trash can, pins, soy beans Mike Roach - clarinet, vocals with laughs, tenor saxophone, dancingKurt Eckhardt - mouth flute, percussion, pins, soy, alteration. Featuring special guests: Rev. Tommy Gomersall - tin cans, piano, vocalsRich - lights and percussionRush Rankin - clarinet, imagistic inspirationRev. Jim Rogers - kazooGary Jeffers - sousaphone, percussionBill Jones - sousaphoneSylvia Thomas - harmonicaRadio Rich Dalton - guitarBill Scanlan - percussion, tape machine; and many others... Source

Included into highly acclaimed NWW list

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Tuesday, June 06, 2006

Emma Myldenberger - Tour De Trance (1978)

This is one of the rarest & Best PSYCH-FOLK LP's EVER MADE!!!!On the rare German Private Label MINOS & STELIS 1011.GERMANY-1978. German psych-prog-folk-rock

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Chalibaude - Les Noces Du Papillon (1976)

Very rare french prog-folkrock classic in 70's. gentle voices with the celestial strings and dreamy flute. Similar to Asgard... Metavox

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Tarentule - Same (1977)

Ultra rare french prog-folkrock album.

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Ñu - A Golpe De Látigo (1979)

Spanish quintet from the late 70's which combines violin, flute and keyboards. Their sound, although progressive in nature, is more in the realm of Hard Rock with blues influences but with a peculiar sound thanks to the magical effects of flutes and violins. Their music reminds a harder GREENSLADE or maybe a JETHRO TULL style. Prog Archives

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Pepper Tree - You're My People (1971)

Comprised of Chris Brockway, Jim White, Bob Quinn and Tim Garagon, Pepper Tree was signed by Capitol in 1970. You're My People (1971) featured the Canadian hit "Mr. Pride." Several singles followed in the early '70s, but Pepper Tree never duplicated their early success. ~ John Bush, All Music Guide 70's rock

Link

Scheytholtz - Die Muhle von Avalu (1978)



German folk

Monday, June 05, 2006

Tanzbar - Tanzbar (1978)

German folk rock.

Link


Jan Dukes De Grey - Mice And Rats In The Loft (1971)



Rare second album by one of the most legendary underground acoustic folk bands to come out of the UK in this era. Although the band released just two LPs, it achieved cult status and is considered responsible for spawning a whole new genre. Recorded for Transatlantic in 1971, their second LP was (despite the addition of drummer Denis Conlan) much more freeform than the first. While still essentially a folk album, the band's progressive leanings are far more pronounced, dissolving song structure and taking the audience on a wild, semi-improvised journey.

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Freak Emporium

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Frogmorton - At Last (1976)

A strikingly accomplished mid-seventies UK folk-rock album in Steeleye Span tradition with beautiful female vocals and wonderfully arranged songs. Includes a wide range of instruments including mandolin, guitar, kazoo, psaltery, accordion and other eclectic instrumentation. Includes band history and a bonus track. Much sought after by collectors of folk rock.

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Freak Emporium

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Saturday, June 03, 2006

Alain Markusfeld - Platock (1978)

French guitarist multi instru mentalist, very unique. His albums blend multi- layered acoustic guitars with fiery leads, piano, ethereal female voices, throbbing bass and percussion. His guitar style could be described as early Larry Coryell (acoustic) meets Randy California (electric) with a strong middle-eastern influence. Le Desert Noir is a heavier guitar album which features drums on almost every track, overall very hendrix influenced. With Platock, there is more maturity in his sound, combining delicate acoustic guitars and more piano to his trademark sound, with less reliance on drums. Contemporus attempts to continue in the same vein, but fails to reach the same energy level, except possibly on the sidelong "Contemporus" suite. Start with Platock, which most will agree is his best. First two releases are very rare. Prog Archives

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Friday, June 02, 2006

Edelweiss - En El Principio (1973)


Spanish folk prog. More info is appreciated!

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Ranola - Ranola (1984)

German ndw punk band. Ranola was founded in 1982 (I guess) as a sub-set of the former band 'The body Snatchers', which had split up and of 'EA80', both early Mцnchengladbach punk bands. Though Ranola doesn't exist since many years now, former members of this band from Moenchengladbach, Germany, are still active. Ranola singer Jack and drummer Andreas are in a band called 'rose club', bass player (and vocals on 'Blumen') 'Der Junge' is the singer of both 'EA80' (founded 1979 and still punk) and 'The devil in Miss Jones', here together with Micka, the former Ranola guitarist.Here's some links to these: http://www.ea80.net/
http://www.thedevilinmissjones.de/ by the1cure from New Wave Outpost


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Bedjabetch - Subrepticement (1979)



French jazz rock & fusion group with Branko Miljavic & Marcel Merino : bass, gtr, sax, kbds & drums. Six original tracks, small pressing. One of the most imaginative French jazz rock. A music near to the best Italian jazz rock bands.

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