Tuesday, May 20, 2008
Thursday, May 15, 2008
La Zombie Et Ses Bizons - Herbe de bizon (2004)
Coming from different musical ways, several French musicians eventually met and formed LA ZOMBIE ET SES BIZONS. Climates, landscapes, colours are the lines of force of their music, that can be described as "Alice In Wonderland" played in the MAGMA way. "Herbe De Bison" (2004) is a happy instrumental celebration of Progressive rock, jazz, oriental music and a bit of trance, melting sounds of vibraphone, flute, guitar, bass and drums. It will lead you from the softiest of melodies, through long hypnotic ascendant lines to a climax of pure savage energy. That musical journey is a constant zapping from the candy sweetness of delusive ads to the acid truth of news reports. Never extremely violent or excessively naive, each piece is a wave that takes you and leaves you on foreign shores. Not to be missed !Rate Your Music
don't hang around, enjoy good music!
Wednesday, May 14, 2008
Thursday, May 08, 2008
Saturday, March 01, 2008
Motiffe - Motiffe (1971)
This super rare early '70s UK progressive psych private pressing was only recently located and raved about in Record Collector.... Long tracks with guitar, flute, percussion bass, sax etc. similar to King Crimson, Colosseum... Freak EmporiumRate Your Music
Link
Saturday, February 23, 2008
Friday, February 22, 2008
Connivence - II (1979)
Never really a full group of musicians per se, Connivence was more of a collective name for artistes, solo or groups from the same region: Hull, just across Ottawa opposite the river and into Quebec land. These artistes actually found easier to share recording costs and release in 77 on the same record their personal tracks, but also playing on each other’s works. From single artists Legault, Soucy to the groups Oasis (jazz-rock) and Nous Autres (sometimes close to Anthony Philips), this Connivence name housed dramatically different styles but most of them worthy of a listen to progheads. The “group” will produce three albums (until 84) with different line-ups and the second one will be heavily induced by Syncope (another prog group). The third one is more electrified or electronified and jazzed-up.Sadly none of the three albums have been released under the Cd format and their vinyl records are not that easy to find, either.
Hugues Chantraine, BELGIUM
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Sunday, February 10, 2008
Panama Limited - Indian Summer (1970)
Panama limited (no jug! ) band with their 4th and best psychedelic beefheartique folkrock from 1970. Posted by request.Rate Your Music
Buy
Saturday, February 09, 2008
Kräldjursanstalten - Voodoo Boogie (1980)
Legendary Swedish rock trio led by Michael Maksymenko, as originally issued in 1980-81. Heavily influenced by the convoluted blues of prime-era Beefheart Magic Band, these guys played a fairly unbelievable variation on the style -- intense, full throttle guitar/bass/drum interplay with absolutely crazed Swedish vocals on top. Beefheart fanatics use to fall face flat when hearing this stuff back when it came out, and I'm sure there's a whole slew of newcomers ready for the same gust of Nordic madness. Guitarist Maksymenko went on to work with Henry Kaiser in the later 80s, forming the band Crazy Backwards Alphabet (along with Magic Band drummer Drumbo French). These recordings have been legitimately "weird" -- every single day, for 25 years now!Buy record at Forced Exposure
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Travelling - Voici la nuit tombée (1973)
Travelling are a French band playing in the trio format (keyboards, bass, drums). Musically they have links to Soft Machine, Robert Wyatt and ELP. Keyboard player Yves Hasslemann has a fairly varied playing style, incorporating classical, blues and jazz elements. In contrast to Soft Machine's Mike Ratledge, Hasselmann plays piano more frequently, but occasionally fuzz organ can be heard as well. Nice album with some excellent piano and organ playing.
In the mid- to late 60s, free jazz was a prominent feature in the Parisian nightclubs and overall had a strong foothold throughout France. On the vanguard for this movement of jazz was the Futura label. Today the label has attained a mythical stature; 1) because of the consistent high quality music the label produced and 2) the scarcity of the product. In the early 70s, the Futura label expanded its scope to include new and exciting experimental avant rock music which seemed to mesh well with the style of jazz the label portrayed. These albums were designated as the RED series and debuted, naturally enough, with a band called Red Noise.
Perhaps the most accessible of these RED bands was Travelling, a keyboard-based trio that probably represented best what the label was about: Jazz, rock and an experimental inquisitiveness. Their sole album is a combination of the early Canterbury movement circa Soft Machine 2, the continental equivalent in Supersister, piano jazz and avant-garde classical/electronics. In fact, the 18-minute title track has all these elements which include Wyatt-esque vocals (however, here in French), fuzz bass, fuzz organ, piano jazz, complex meters and echoed early synthesizers/machines; a contrast in tight ensemble playing combined with loose free improvisation. The other five shorter tracks are really just the same though more contained within the environment of a small composition. The closer demonstrates a melancholic sadness not displayed elsewhere.
Originals of any Futura album run into the small fortune area. Travelling is no exception and was a staple $600+ LP. Fortunately within the last year 2001, Italian CD label Mellow Records released this so that everyone can hear this gem. Taken from Gnosis2000
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In the mid- to late 60s, free jazz was a prominent feature in the Parisian nightclubs and overall had a strong foothold throughout France. On the vanguard for this movement of jazz was the Futura label. Today the label has attained a mythical stature; 1) because of the consistent high quality music the label produced and 2) the scarcity of the product. In the early 70s, the Futura label expanded its scope to include new and exciting experimental avant rock music which seemed to mesh well with the style of jazz the label portrayed. These albums were designated as the RED series and debuted, naturally enough, with a band called Red Noise.
Perhaps the most accessible of these RED bands was Travelling, a keyboard-based trio that probably represented best what the label was about: Jazz, rock and an experimental inquisitiveness. Their sole album is a combination of the early Canterbury movement circa Soft Machine 2, the continental equivalent in Supersister, piano jazz and avant-garde classical/electronics. In fact, the 18-minute title track has all these elements which include Wyatt-esque vocals (however, here in French), fuzz bass, fuzz organ, piano jazz, complex meters and echoed early synthesizers/machines; a contrast in tight ensemble playing combined with loose free improvisation. The other five shorter tracks are really just the same though more contained within the environment of a small composition. The closer demonstrates a melancholic sadness not displayed elsewhere.
Originals of any Futura album run into the small fortune area. Travelling is no exception and was a staple $600+ LP. Fortunately within the last year 2001, Italian CD label Mellow Records released this so that everyone can hear this gem. Taken from Gnosis2000
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Link
Tuesday, February 05, 2008
Gattch - Komplet (1971)
Hi Lisa,I happen to have a double CD with complete recordings by Gattch...Mr Marquez seems to be looking for it so I uploaded the CD in 4 parts. First 2 links are for the album (contains some alternate takes) and the other 2 from a concert. The band were from Czechoslovakia (Slovak part)and the album was released in 1971. It is fairly good prog/jazz/rock music that people may enjoy. The front cover is included in the first .rar file.
Thank you, Marian!
Link
Tuesday, January 22, 2008
Saturday, January 19, 2008
Fiori-Séguin - Deux cents nuits à l'heure (1978)
Harmonium's Serge Fiori and Sequin's Richard Seguin were already aware of each others talents, several years before their sole album as a duo. The pair appeared side by side as backup singers for Gilles Valiquette's album "Valiquette est en ville" in 1976. Already, the two voices blended magnificently. It was during this same year that Seguin (the group) packed it in for good., and Richard participated as backup singer for Harmonium's "L'Heptade". Harmonium, in turn, sees things slow down to a full stop in 1977. Both Fiori and Seguin were looking for other outlets which could sustain their creativity, resulting in "Deux cents nuits à l'heure" in 1978. This album, marrying the pair's progressive and balladeer sides, sees the continuous participation of the majority of Harmonium's most recent line up. Read full story at ProgQuebecRate Your Music
Link
Scorpion - S/T (1969)
A strong local Detroit, Michigan, band's only album containing hard rock with a funky edge.Rate Your Music
Link
Tuesday, January 15, 2008
The Spectrum - The Light Is Dark Enough (1970)
I wish I knew more about this UK group. While they only managed to record one rather rare LP, during the 1967 - 69 timeframe they generated an extensive singles catalog that's quite diverse and commercially attractive.RCA Records was apparently the brainchild behind the group with their rather transparent aim being to come up with a Monkees-styled outfit with commercial potential. The original line-up consisted of lead guitarist Tony Atkins, keyboardist Bill Chambers, singer Colin Forsey, brother/drummer Keith Forsey and bass player Tony Judd. Starting with 1967's 'Samantha's Mine' b/w 'Saturday's Child (RCA catalog number RCA-1589), the group released a string of nine singles that sold well throughout mainland Europe, but did little in their native UK and generated even less attention in the States.
Released in 1970, "The Light Is Dark Enough" offered up a mixture of earlier singles and new studio material, essentially serving as kind of 'best of' retrospective. Interestingly, while the band's occasionally slapped with a psych label, musically most of the ten tracks reflected a distinctive pop orientation. That was certainly the case for the group's better known works including 'Headin' For A Heatwave' (# 1 in Spain), a rather rote cover of The Beatles' 'Ob-La-Di, Ob-La-Da' which went top-20 in Germany and 'Portobello Road'. Mind you, anyone recording in the 1967-69 timeframe was bound to have been effected to some extent by their surroundings and Spectrum was no exception to the rule. While not exactly acid soaked, tracks like 'Nodnol' (London spelled backwards), the Procol Harum-ish instrumental 'Walrus & The Horse' and 'Mandy' all showcased lite psych touches, though nothing that was a threat to their commercial orientation. Certainly part of the band's appeal lay in the fact Colin Forsey had a winning voice that occasionally reminding me of a Davy Jones bulked up on steroids (check out 'Glory' and the title track). Similarly, the rest of the band were never less than professional with guitarists Tony Atkins and John Beattie turning in several nice performances on material like the rocker 'Jacqueline'.
"The Light Is Dark Enough" track listing:
(side 1)
1.) Ob-La-Di, Ob-La-Da (John Lennon - Paul McCartney) -
2.) Mr. Jenkin's Brand New Boots (Colin Forsey) -
3.) Nodnol (Colin Forsey - Peter Wood) -
4.) Walrus & The Horse (instrumental) (Peter Wood) -
5.) Glory (Richard Kerr - Maitland) -
(side 2)
1.) Portobello Road (Marsh - Veal) -
2.) Mandy (Colin Forsey - Keith Forsey) -
3.) Headin' For A Heatwave (Roberts - Kinsella) -
4.) Jacqueline (Andrews) -
5.) The Light Is Dark Enough (Richard Kerr) -
In addition to the singles and LP, the group recorded some material for a several films, including 1969's "The Reckoning" (they also has a small role in the film). They also wrote and performed the title track to the British kids television series 'Captain Scarlet & the Mysterons' (no I'm not making that up).
Keith Forsey went on to enjoy considerable success as a songwriter (you can blame him for writing part of 'Flashdance (What a Feeling)', as a producer (you can blame him for Billy Idol's "Rebel Yell" and The Psychedelic Furs "Mirror Moves") and as a film score composer. Taken from Bad Cat
Link
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2.) Mr. Jenkin's Brand New Boots (Colin Forsey) -
3.) Nodnol (Colin Forsey - Peter Wood) -
4.) Walrus & The Horse (instrumental) (Peter Wood) -
5.) Glory (Richard Kerr - Maitland) -
(side 2)
1.) Portobello Road (Marsh - Veal) -
2.) Mandy (Colin Forsey - Keith Forsey) -
3.) Headin' For A Heatwave (Roberts - Kinsella) -
4.) Jacqueline (Andrews) -
5.) The Light Is Dark Enough (Richard Kerr) -
In addition to the singles and LP, the group recorded some material for a several films, including 1969's "The Reckoning" (they also has a small role in the film). They also wrote and performed the title track to the British kids television series 'Captain Scarlet & the Mysterons' (no I'm not making that up).
Keith Forsey went on to enjoy considerable success as a songwriter (you can blame him for writing part of 'Flashdance (What a Feeling)', as a producer (you can blame him for Billy Idol's "Rebel Yell" and The Psychedelic Furs "Mirror Moves") and as a film score composer. Taken from Bad Cat
Link
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Monday, January 14, 2008
Transit Express - Priglacit (1975)
During one of the timeout in Yves Simon's schedule, his backing band profited from the spare time to record their first album. Indeed this was quite quick (6 days in mid-May at Studio Davout), because they had had time to prepare it, and where even playing their own numbers at soundchecks of the singer's tours. The standard prog quartet developed an excellent jazz-rock that was rivalling the classic-driven Mahavishnu Orchestra, where the songwriting was fairly evenly spread out between the four accomplished musicians, although I wouldn't call them seasoned veterans. On a Spanish scale, you could place them between Fusioon's first two albums and Iceberg's jazzier opus like Coses Nostres.
The artwork might induce you to think the group is very percussive, but the sound is very much balanced. 14 relatively short tracks (max 3'40") that meddle into one giant number. In some ways, you'd guess that the tracks written by drummer Bouvier are more rhythmic, but then once they morph into bassist Guselli- written ditties, they don't necessarily become funky. As the short tracks keep speeding by, the listener is never bored, because they (tracks) are all very different and never repeat themselves. Their jazz-rock is still fairly academic, but complex, melodious and subtle finesse.
An excellent but short debut album that did not go unnoticed in the French jazz scene, Priglacit (no idea as to what the title means (will invite in Russian - Lisa)) is probably the best introduction to Transit Express' music, but you can't go wrong by choosing anyone of their three opus. And when this is the case, it's best to start chronologically. By Sean Trane
Pride - Pride (1970)
Pride never existed, it was just a name to cover the work of sessions players: Earl Palmer, Don Randi, Lou Morrell again, plus Tommy Tedesco and Al Casey on guitar, Arthur Wright on bass, Gary Coleman on percussions, and Nooney Rickett did the three voice parts, overdubbing himself. Axelrod's son, Michael, wrote the lyrics. The album was recorded for Warner, as Axelrod's then manager, Joe Sutton, project (he walked in Warner, said he has a group, Pride, and got a deal ! Nobody checked the group did not even exist!).Rate Your Music
Link
Sunday, January 13, 2008
Folk À L'Âme – Tempus Fugit (1997)
This band (Flute, violin, guitar, tin whistle, bohdran, drums & percussion) performs folk and sometimes rock music very influenced by the principal monochord vocals and the choral repeat of theme parts. It evokes MELUSINE, but the band gets its roots from a very old musical wealth, in order to then blend tradition with evolution, so that to perform a Celtic-Occitan folk-rock. They associate modern arrangements to traditional instruments in a perpetually creating mind. A lot of varied sounds and beautiful instrumental parts.
1. Les poules huppes
2. Passe-vent
3. Perfid jail
4. Festoyerie
5. Turlutu/Mazurka de Lapleau
6. Connivence
7. Le tailleur de pierres
8. Alienor
9. L'oiseau
10. Les Filles sont comme les roses/Reily's reel
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Link
Kindly shared by Mr. Matty Groves
Ougenweide - Ougenweide (1973)
Ougenweide was one the most significant German folk-rock bands of the seventies. Their music was quite different from the 'progressive folk' music created by the early Broselmaschine and Holderlin. Ougenweide's speciality was shorter tracks in off almost medieval folk tradition with German lyrics. The result was a German answer to British groups like Fairport Convention, Gryphon and Steeleye Span. Like these groups, Ougenweide (from Hamburg) succeeded in achieving a distinct style of their own. Their records confirm that they were obviously great instrumentalists. Through the years the nucleus of the Wulff brothers, von Henko and Isenbart remained intact. Minne Graw was their female vocalist from the third album onwards. A large part of their repertoire consisted of traditional German folk songs. The early albums are their most acoustic ones, the later works also utilised synthesisers.Lang'syne - Lang'syne (1976)
Lang'syne appear to be another one-album wonder as they released an interesting self titled folk album in 1976. Lang'syne sing in English and their brand of folk bares little resemblance to the earlier kraut-folk bands like Broselmaschine, Holderlin, and Witthuser and Westrupp. Throughout the album, there are small touches of a German and Eastern ethnic feel to the music, but for the most part their sound is a bit more Anglo influenced. Many of the lyrics and much of the music appear to have a dark, longing quality which results in the album sounding a bit mystical, and occasionally even Renaissance-style. The standout track is the instrumental 'Cynghanedd'. 'Cynghanedd' begins like an Eastern-influenced ballad, or "Melodie der Natur" as described in the CD sleeve. This track utilizes natural sound of birds and insects and ends with an interesting interplay of 'dueling'-guitar chord sequences. Another track worth mentioning is 'Medina' which has sporadic touches of Witthuser and Westrupp sprinkled throughout. By Doug at Kraut Rock GroupLink
Calliope - 'Steamed (1968)
Great US Psych. with Paul Goldsmith, Danny O´Keefe, John Simpson and Clyde Heaton.Rate Your Music
Link
Gile's Farnaby's Dream Band - S/T (1971)
A UK project by Giles Farnaby, instigated in 1971, that aimed to create a wonderful broth of electric folk music with strong medieval influences. The music is played with a combination of early and modern instruments (primarily made up of flutes, violins and various horns). An entirely unique sound is conjured up using the diverse instrumentation available to a band of the 1970's and tunes originally written for country dances way back in 1651. An interesting find - for those brave enough to indulge - and much like early Gryphon. Freak EmporiumRate Your Music
Link
Kaarst - From Our Friends To Our Friends & II (1976)
Hard to find KRAUTROCK PRIVATE PRESSING LP: by a group called " KAARST- from our friends to our friends " made in 1976.LIMITED EDITION- record of only a few 100 Copies were made, today nearly impossible to get in any condition.
Great psych folk kraut record with male and female lead and also back vocals, great guitar, percussion, flute and e-piano. Sung in english.Hans Pokoraa underrated this LP in his 4001 book with only 2 stars.
9 member band feat. UWE OCHSENKNECHT, famous german actor ( das BOOT / U96 )any many other movies.He is playing bongos-congas- and have some back vocals.
9 member band feat. UWE OCHSENKNECHT, famous german actor ( das BOOT / U96 )any many other movies.He is playing bongos-congas- and have some back vocals.
Isis - Isis (1974)
This is an obscure gem. A pastiche of musical influences that defies categorization, which is probably the reason it was not a big seller.Its got funk, r.& b. sensibilities, with tower of power horns but it is the sum of its parts that fascinates. ISIS is a crazed joyous prog-folk-soul hybrid. Fans of Jethro Tull, Spirit and Curtis Mayfield would certainly like this. A great collage of sounds, powerful vocals, and dynamic guitar runs. This is an all woman group. An all SILVER woman group to be precise. by phnuggle
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Blogging Mess
Dear Friends!
First of all Happy New Year - we didn't speak for a long time ;)
As you may noticed already almost all links from my posts for the last months were removed from rapidshare. The similar situation on some of our friends blogs as well. I'm curious to understand the nature of these deletions. I must admit that in the past I did uploads of albums currently available & reissued - so the copyright owners had all the rights to remove the links infringing their copyright. Guilty. But for me the main advantage of blogging was to share & find rare out of print or never legally reissued material. Please tell me whose rights I infringed posting:
Nadavati - Le Vent De L'esprit Souffle Ou Il Veut (1973)
Avalanche - Perseverence Kills Our Game (1979)
The Falcons - Fever (1970)
Sourdeline - La Reine Blanche (1976)
Tarentule - Same (1977)
Tanzbar - Missethaten (1979)
Tanzbar - Tanzbar (1978)
Crossbreeze - Same (1974)
Edelweiss - En El Principio (1973)
Chalibaude - Les Noces Du Papillon (1976)
Madrigal - School Of Time (1977)
P.P. Zahl - Alle Turen Offen (1978)
John Bassman Group - Filthy Sky (1970) & others? None of these albums are currently available neither been legally reissued.
Funny, this situation forced me into blogging again ;) I'll thoroughly check all my posts from the beginning & will re-up only oop or never legally reissued albums. For all others I'll put the link to the reissue labels .
The other question is why nobody ever approach me to remove this or that link? I got the impression that our old friend deleter had returned & using all this situation around ProgRock Records & ProgNotFrog... ;)
Looking forward for your comments on this matter. And I'm especially waiting for the person putting complaints on rapidshare to explain his motivations.
Sincerely yours,
Lisa Sinder
P.S.: Comment here on the albums you would like to see re-upped in the first turn (if the album not available you'll receive the link)
First of all Happy New Year - we didn't speak for a long time ;)
As you may noticed already almost all links from my posts for the last months were removed from rapidshare. The similar situation on some of our friends blogs as well. I'm curious to understand the nature of these deletions. I must admit that in the past I did uploads of albums currently available & reissued - so the copyright owners had all the rights to remove the links infringing their copyright. Guilty. But for me the main advantage of blogging was to share & find rare out of print or never legally reissued material. Please tell me whose rights I infringed posting:
Nadavati - Le Vent De L'esprit Souffle Ou Il Veut (1973)
Avalanche - Perseverence Kills Our Game (1979)
The Falcons - Fever (1970)
Sourdeline - La Reine Blanche (1976)
Tarentule - Same (1977)
Tanzbar - Missethaten (1979)
Tanzbar - Tanzbar (1978)
Crossbreeze - Same (1974)
Edelweiss - En El Principio (1973)
Chalibaude - Les Noces Du Papillon (1976)
Madrigal - School Of Time (1977)
P.P. Zahl - Alle Turen Offen (1978)
John Bassman Group - Filthy Sky (1970) & others? None of these albums are currently available neither been legally reissued.
Funny, this situation forced me into blogging again ;) I'll thoroughly check all my posts from the beginning & will re-up only oop or never legally reissued albums. For all others I'll put the link to the reissue labels .
The other question is why nobody ever approach me to remove this or that link? I got the impression that our old friend deleter had returned & using all this situation around ProgRock Records & ProgNotFrog... ;)
Looking forward for your comments on this matter. And I'm especially waiting for the person putting complaints on rapidshare to explain his motivations.
Sincerely yours,
Lisa Sinder
P.S.: Comment here on the albums you would like to see re-upped in the first turn (if the album not available you'll receive the link)
Fairy Tale - Once Upon a Time...... (1969)
Group from The Hague, not to be confused with the group from Tilburg. They existed from the end of 1969 till the end of 1971. Lineup 1969: Cees Hoogerheide (vocals, ex-Nicols; in 1970 replaced by Ellen Zonruiter; Cees went to Big Wheel), Herman Ansink (guitar; in 1970 to Blow Ball and replaced by one John Miles, who in turn got replaced by Martin van Wijk in 1971, later with Jupiter), Peter Seilberger (organ and piano, ex-Tee Set, later to Big Wheel and Jupiter), Ed Koetsier (bass, vocals, ex-Nicols) and Harry Koetsier (drums, ex-Nicols, later with Big Rock Revival). Alex GitlinRate Your Music
Link
Bread Love & Dreams - Amaryllis (1971)
Super rare 1971 mystical psych / progressive folk album originally released on Decca Records.This is a pleasant folk-rock album with psychedelic overtones and a noticible 'flower-power' influence played on flutes,keyboards and guitars with nice male/female vocals.Link
Saturday, January 12, 2008
Ezhevika Needs
Dear Friends!
If you have time, wish & possibility to help please take a look at Ezhevika Needs. Your help is very much appreciated.
Thank you,
Lisa
If you have time, wish & possibility to help please take a look at Ezhevika Needs. Your help is very much appreciated.
Thank you,
Lisa
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