The artwork might induce you to think the group is very percussive, but the sound is very much balanced. 14 relatively short tracks (max 3'40") that meddle into one giant number. In some ways, you'd guess that the tracks written by drummer Bouvier are more rhythmic, but then once they morph into bassist Guselli- written ditties, they don't necessarily become funky. As the short tracks keep speeding by, the listener is never bored, because they (tracks) are all very different and never repeat themselves. Their jazz-rock is still fairly academic, but complex, melodious and subtle finesse.
An excellent but short debut album that did not go unnoticed in the French jazz scene, Priglacit (no idea as to what the title means (will invite in Russian - Lisa)) is probably the best introduction to Transit Express' music, but you can't go wrong by choosing anyone of their three opus. And when this is the case, it's best to start chronologically. By Sean Trane