Saturday, June 30, 2007
Thursday, June 28, 2007
Maneige
MANEIGE is probably the Quebec band that epitomizes best the Quebec Prog boom from 74 to 79. Their music are probably one of the best example of what Fusion music can be by blending in classical and folk elements together with jazz tones the whole thing having a very progressive rock ideal and could also fit the chamber rock style. Their style can only be really compared to other Quebecois group as SLOCHE and OPUS-5. Taken from ProgArchives
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Maneige - Maneige (1975)

Maneige - Les Porches De Notre Dame (1975)

Maneige - Ni Vent... Ni Nouvelle (1977)

Maneige - Libre Service (1978)
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Maneige - Maneige (1975)

Maneige - Les Porches De Notre Dame (1975)

Maneige - Ni Vent... Ni Nouvelle (1977)

Maneige - Libre Service (1978)
Wednesday, June 27, 2007
Harmonium - Si on avait besoin d'une cinquième saison (1975)

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Tuesday, June 26, 2007
Lokomotive Kreuzberg - Kollege Klatt (1972)

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Monday, June 25, 2007
Genfuoco - Dentro L'Invisible (1979)

Their first and only album in 1979 was on the religious Città Nuova label that had also produced bands with similar names like Gen Verde and Gen Rosso.
Dentro l'invisibile had a limited distribution mainly in bookshops, and is rare to find now, though not a particularly interesting album for prog fans.
Acoustic, soft atmospheres are prevalent with good use of flute, sax, keyboards, like in the opening Ouverture, but the tracks have limited instrumental interludes and are mainly built on the vocal parts.
The album marked the end of the band, that split around 1980.
The group has recently reunited in 2000 with all the original members, playing in Florence, and managed to release a live CD recorded in 1976-78.
A well recorded CD with eight-tracks (though none of the album tracks are included here), this is a good document of the live activity of the band, with two tracks over 10 minutes.
The cover doesn't mention any recording details, but the tracks included surely come from different concerts with different lineups, and the musicians involved include the six members that were on the LP along with percussionist Marco Scala and drummer Marco Masotti.
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Morse Code - Procréation (1976)

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Città Frontale - El tor (1975)

The new Città Frontale retained some of the main elements that strongly characterized Osanna's sound, like the strong use of sax and flute and the mix of prog and mediterranean folk sounds, but with a more melodic and somehow commercial approach. Compared to Osanna's albums, El Tor sounds much more lightweight.
Having a nice cover design by drummer Massimo Guarino (he also produced the nice cover painting on Osanna fourth album) the LP starts with the long Alba di una città /Solo uniti, that could easily find its place in Osanna's Landscape of life, but the rest is not particularly original, with even some Zappa or jazz-rock influences. All in all a positive album, but Osanna were a different thing. ItalianProg
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Friday, June 22, 2007
Thursday, June 21, 2007
Levi Smith's Clefs - Empty Monkey (1970)


You can also check out "Lisa" and "Road Runner" on "Festival 70". "Gonna Get A Seizure" has also resurfaced on "So You Want To Be A Rock 'n' Roll Star" (3-CD), as has a version of "Take A Little Piece Of My Heart" credited to Linda Cable and Levi Smith's Clefs.
Taken from "Dreams, Fantasies and Nightmares" by Vernon Joynson, an extensive guide to Canadian / Australian / New Zealand and Latin American psych and garage music 1963 - 1976. Alex Gitlin
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The Dimensions - From All Dimensions (1966)

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Raik's Progress - Sewer Rat Love Chant (1967)

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Wednesday, June 20, 2007
Freckleface - S/T (1972)

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Opus-5 - Contre-courant (1976)

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Jelly Bean Bandits - S/T (1967)

Originaly known as The Mirror, they managed to score a three-album deal with Mainstream on the basis of three demo tracks. Unbeknown to label boss Bob Shad, these were the only songs the band had written and a week-long marathon song-writing session ensued, before they were whisked into the cavernous Columbia Studio "A" to record the album in a generous twelve hours stretch.
Mainstream pulled the plug before the band could start on their second album, although a demo for one track, Salesman was recorded, and the other material written back in '68 may yet see the light... the band are still in touch and have released a second album in the same style & manner as they had intended to do thirty years ago... "look to the skies... the flying saucers will always be there!"
For more information check the bands website:- http://www.jellybeanbandits.com
(Vernon Joynson/Max Waller w/thanks to Mike Raab/Billy Dee)
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