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The new Città Frontale retained some of the main elements that strongly characterized Osanna's sound, like the strong use of sax and flute and the mix of prog and mediterranean folk sounds, but with a more melodic and somehow commercial approach. Compared to Osanna's albums, El Tor sounds much more lightweight.
Having a nice cover design by drummer Massimo Guarino (he also produced the nice cover painting on Osanna fourth album) the LP starts with the long Alba di una città /Solo uniti, that could easily find its place in Osanna's Landscape of life, but the rest is not particularly original, with even some Zappa or jazz-rock influences. All in all a positive album, but Osanna were a different thing. ItalianProg
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1 comment:
thanx for the great rare albums,
your blog is one of the best.
thanx lisa, thanx thanx thanx !!!
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