Saturday, January 06, 2007

Czesław Niemen

Czesław Niemen (real name Czesław Juliusz Wydrzycki) (February 16, 1939 - January 17, 2004) was one of the most important and original Polish rock musicians, singing mainly in the Polish language.

Niemen was born in Wasiliszki in Grodno district. He was a singer with a wide voice scale and rich intonation, a composer and a keyboard player. He made his debut in the early 1960s, singing a Polish kind of rock and roll and soul music. His song of 1967, Dziwny jest ten świat (Strange Is This World) became the most important Polish protest song of that era. He was one of the first Poles to wear long hair and colourful clothes, introducing psychedelia style to communist Poland. The first three records he recorded with his band "Akwarele" (The Watercolour Paintings), later he recorded with his new bands: "Enigmatic", "Grupa Niemen" and "Aerolit". In 1969 he changed musical style to progressive rock, recording the monumental album Enigmatic. The most notable song from it was Bema pamięci żałobny rapsod (A Mournful Rhapsody in Memory of Jozef Bem), based on the 19th century poem by Cyprian Kamil Norwid. The rest of Enigmatic songs were poetry as well. Niemen played Hammond organ, later mellotron and Moog synthesizer on his records.

In the early 1970s, Niemen recorded three English language albums under the CBS label, and in 1974 he recorded Mourner's Rhapsody with Jan Hammer and Rick Laird from Mahavishnu Orchestra. In the seventies, Niemen turned to jazz-rock fusion and electronic music (Katharsis album). In 1972 he also contributed with a song perfomed by him in the movie The Wedding (Wesele, 1972) by film director Andrzej Wajda , laureate of an honorary Oscar. Later, Niemen has also composed film soundtrack and theater music. In the 1990s he also showed interest in painting and computer graphics. He died of cancer in Warsaw.

source: http://en.wikipedia.org/wiki/Czeslaw_Niemen

Rate Your Music




Czesław Niemen - Niemen Enigmatic (1969)




















Czesław Niemen - Czy Mnie Jeszcze Pamietasz (1968)









































Czesław Niemen - Sen O Warszawie (1969)
This album contains early, rare versions of songs recorded with Niebiesko-Czarni in the early 60's (tracks 1-16) + original recordings with Michel Colombier Orchestra (17-20)













































Houston Fearless - Same (1969)

Reissue on CD of one and only album by this Houston, USA outfit. Some excellent hard rocking stuff here with some beautiful psychedelic touches. Originally released on Imperial records in 1969.

Rate Your Music

Link


Friday, January 05, 2007

Ezhevika Re-Ups by requests

Hi!

The following albums have just been reupped according to your request:

Alan Jack Civilization - Bluesy Mind (1969)

Bran - Hedfan (1976) (pre Pererin)

Wooden Horse - Same (1972)

Red Television - Same (1974)

Enjoy! ;)

Lots of thanks!!!!

I'd like to thank my friends at two wonderful blogs:

ProgNotFrog & Lost-In-Tyme

Beleive me, I've spent lots of fun hours there - great records are waiting to be heard!


Thank you, Friends!

Lisa

Facedancers - Same (1972)

Early prog crossover album from 1972 with some psyche influences. Produced by Teo Macero of Miles Davis fame. Creatively designed songs that show thoughtful experimentalism. The lead singer claims he hits the highest note ever recorded by a man on a rock record. True or not - the girly-sounding vocals work well in this context. Interesting album that rewards a few close listens.


Rate Your Music

Link


Wednesday, January 03, 2007

Jarka - Ortodoxia/Morgue O Berenice (1971/1972)

This release combines two early 70s albums from the obscure Spanish band Jarka, led by the excellent pianist Jordi Sabates. Playing with a strong jazz sensibility, Jarka also differed from their Spanish contemporaries in the noticeable lack of any influence from Spanish culture or folk music.
The music on Ortodoxia is predominantly in a jazz-fusion style reminiscent, perhaps, of Soft Machine or other early 70s European jazz-rock groups. Sabates' definitely carries the group with his deft playing, laying down some tasty jazz licks on the piano as well as occasionally turning to the organ or electric piano for more of a fusion approach. The primarily acoustic bass playing of Alfonso de Lucas is also quite impressive, showing a strong familiarity and versatility with the jazz idiom. With these two players coming from an obviously solid jazz background, the drumming, although quite tasteful and inventive, seems a little out of place with its more rock influenced stylings, perhaps reminiscent of Robert Wyatt. The album overall is rather average; there is some good playing and some nice moments, but nothing that really stands out as spectacular.
The second album, on the other hand, is a real treat. Whereas Ortodoxia contained elements of rock and jazz-rock styles, coming across as two jazz musicians trying to play a bit outside of their element, Morgue O Berenice sticks to their forte, and serves up some prime late-60s/early-70s freestyle jazz in the vein of Miles Davis' ensembles of that period. Expanded to a four piece, with the addition of a guitarist as well as a new drummer, the album is a significant improvement over their first. Sabates' playing really shines here, and it is obvious that he could have held his own in any of Miles' lineups. His style is probably most reminiscent of Herbie Hancock; somewhat impressionistic with a keen sense of chordal colors. His chops work best on the piano, but he also knows how to make his Fender Rhodes growl and bite, and there is some fine playing featuring that classic jazz electric piano sound as well. The guitar, present on maybe half the tunes, is also excellent, and may remind some of a slightly less aggressive John McLaughlin in his Miles Davis days. The new drummer is better than their first, and in any other context would probably be considered excellent, but he is clearly not a jazz drummer, and given the quality of the rest of the players, he is the weak link, albeit a small one. Basically, he's no Tony Williams, but then again, very few drummers are. Just to keep everyone off balance, after six solid tracks of excellent jazz, Morgue O Berenice finishes up with a short Woody Guthrie bluegrass tune, complete with banjo and mandolin! Gnosis 2000

Jarka was the early 70's band of keyboardist Jordi Sabates (see his incredible Ocells Del Mes Enlla"). He plays piano, electric piano and organ, backed by bass and drums. This is both their albums on one CD. The 2nd album adds some guests, but the overall sound is still firmly on the keyboards with rhythm section. Some parts are quite jazzy, while others sound like early progressive rock mixed with a sorta Canterbury jazz/rock sound. Rather nice and stupendously obscure! Wayside Music

Rate Your Music

Link


Thorinshield - Same (1968)

The U.S. folk-psych trio Thorinshield have long been cult favorites amongst "sunshine pop" aficionados, but their sole 1968 album has never been available on CD before. A mixture of folk, psychedelia and harmony pop that features dazzling harmonies akin to those being created by Curt Boettcher at the same time, it is presented here complete with two rare non-LP sides, showing the band to be an unfairly-neglected piece of Los Angeles 1960s pop jigsaw.


Rate Your Music

Link


Sunday, December 31, 2006

Kola Beldyi - Uvezu Tebya Ya V Tundru (1960s)

Happy New Year!!!!!!


Rate Your Music

Link

password: ezhevika.blogspot.com

Alan Trajan - Firm Roots (1969)

Scottish keyboardist Alan Trajan's 1969 album is an unsettling collection of rock songs and ballads featuring prominent organ, fiery guitar, soulful vocals and acoustic picking from folk legend Davy Graham. Produced by Ray Horricks (Bread Love & Dreams, Human Beast, Davy Graham), it's well-established as one of the rarest singer-songwriter recordings of the period. Forced Exposure
Rate Your Music

Link

Cosa Nostra - Same (1971)

Heavy duty rare Latin funk psych album recorded in Mexico City in 1971, their English language debut (not to be confused with their Spanish-language second album, reissued by Lazarus on LP); heavy grooves right from the start, with hard guitar, bass, drums and organ kicking it and not letting up; sounds a little like the Black Sugar albums, if you can imagine U-Roy 'singing' along with the rhythm tracks, and some strangely dissonant background singers chiming in to boot; but all vocal limitations aside, has some great cuts, such as the eponymous track 'Cosa Nostra', the funky 'Squeeze it Tight' with a real pushy groove, the rife-for-sample intro to 'Proud Mary', and the shimmering 'Change of Mind'.

Zipper - Same (1974)


Dead Moon related band.
CD/LP still avaialble from Music Maniac
Rate Your Music

Link

Vindication - Same (1973)


Xian prog Enjoy! ;)

Rate Your Music

Link

Sunday, November 12, 2006

Baalbek - Fata Morgana (2000)

In October 1994 after almost 2 years of preparing material, originally composed by their first line-up, they made their debut in the city of La Plata (Buenos Aires, Argentina) under the name of FATA MORGANA. In 1995 they became BAALBEK.After performing throughout many years in the city of La Plata, they participated in the first the First Artisans Encounter in the province of Bs. As. In the city of Junín with an open show together with local bands as well as groups from Capital Federal.Needless to say the most important performance was at the BUENOS AIRES PROG 99 held at the auditoriumAt ACATRAZ in Cap. Fed. in December 1999 where the groups that participated in the first show were: Guitar Ensemble of Buenos Aires, 2112 and ANEKDOTEN from Sweden and in the second part were: Baalbek, Nexus and Tempus Fugit from Brazil.This festival was the first held in Argentina with international level, included among the yearly festivals of progressive rock worldwide.At the end of 1999 they started recording their first CD "FATA MORGANA", for the Brazilian record company Record Runner, after a year of adding software for the digital recording aided by computers.The record company Record Runner distributed the record in more than 15 countries of the world such as Brazil, U.S.A., Mexico, Spain, France, England, Poland, Denmark, Italy, Finland, Japan and others.Baalbek officially presented their first CD on Saturday April 7 2001, at the Centro Cultural La Plata, Sala Costamagna, La Plata.Baalbek is one of the few Argentine bands which attracted the attention of the important worldwide progressive movement, Baalbek was played on the American radios (PLANET PROG) and was included in the most important catalogs of the biggest distributors such as CD EUROEXPRESS from Europe, MUSEA RECORDS from France, PROGRESIVE ROCK AND PROGRESSIVE METAL from Brazil, MUSIC SELECTION from Holland, Distribution Inc from Canada, SROOM from the USA, THE MISSING PIECE from Sweden, SYN-PHONIC PROGRESSIVE ROCK from USA, etc.Some international magazines commented about Baalbek:"Baalbek has an eclectic progressive fusion style with influences by jazz-rock. The drummer Pablo Gonzalez, the bass player Fabián Vera, the keyboard player Eduardo Gustavino, the saxophonist Pablo Clavijo and the excellent guitarist Gonzalo Romero form the group. They made a very good impression and we expect great music from Baalbek in the years to come." Progression Magazine (USA) - issue 34 "The Argentinean band Baalbek gives us an example of their music which outlines a semi-symphonic style, with jazz and psychedelic elements, sensation achieved by the seldom use of sax. There are strong elements from the "seventies", reminding the listener of GNIDROLOG, HAPPY THE MAN and KING KRIMSON, plus the sound of the 90. We also point out a competition between the musicians. Metamúsica Magazine (Brazil) - Nº 009"Without any doubt it is a different record. Fata Morgana is not really included within the purely progressive symphonic rock, it is a fusion work which uses very interesting elaborated elements. Baalbek is an instrumental group, with a well-defined identity though never static one. They dive in different waters in a very attractive search. This diversity makes the album fresh and elaborated at the same time." Revista Mellotrón (Argentina) - Nº 28"El instrumental/symphonic prog from Argentina. These very strong five instrumentalists have made a very interesting and innovating album. There are classic/symphonic prog elements as well as some jazz-fusion influences. It is full of attitude and different humor The melodic guitars, beautiful keyboards, a saxophone and a solid drums and bass foundation. The different tracks have a lot of character and none of the 13 tracks of this album resemble each other. It is their debut CD and I hope it is not the last one. This is really good. The only thing missing would be an excellent voice, which would turn it into a masterpiece. (!!) RECOMMENDEDOlov Andersson – Well-known Music and critic of Swedish Progressive Rock.

Sunday, November 05, 2006

Checkpoint Charlie - Grüß Gott mit hellem Klang (1972)

Checkpoint Charlie was formed in 1967 and named after the infamous checkpoint between the Eastern and Western zones of Berlin. They were part of the same polit rock wave as Floh De Cologne and Ton Steine Scherben.


Included into highly acclaimed NWW list

Rate Your Music

Link

Zoreya -S/T (1996)

Soft, dreamy and jazzy prog from Brazil. A bit in the Popol Vuh realm. This work by new Sao Paulo band is like a long and weird soundtrack. ZOREYA is a Brazilian line-up that performs a quiet and relatively mysterious Progressive jazz-rock, based on the omnipresent sax lines. The eponymous album was recorded during a period of time situated between 1989 and 1995, and finally issued in 1996. An ethnic tale of 8 stories with a wide mixture of instrumental progressive, new age, world music and jazz. Very ethnic with sax, pianos, flutes, guitars etc..

Rate Your Music

Link

December's Children - S/T (1968)

At last a CD issue of much sought after 1968 album. The only release by this US band who sound like The New Tweedy Brothers/Love Exchange/Growing Concern etc. Male and female vocal harmonies are wrapped with some great West Coast psych guitar work giving the whole album a classic US psych feel.
Freak Emporium

Rate Your Music

Link

Tuesday, October 31, 2006

Cherubin - Our Sunrise (1974)

German rock/prog in the vein of Karthago, Randy Pie, Cry Freedom.

Rate Your Music

Link

Fantasy - Paint A Picture (1972)

The story of this band started at the Chapel Farm, a farmhouse near Gravesend (Kent) were the band had their first rehearsals. It was the family home of singer Paul Petley, other musicians were Geoff Whitehorn (electric guitar), Paul Lawrence (acoustic guitar/vocals), David Metcalfe (keyboards), David Read (bass guitar) and Brian Chatham (drums), later replaced by John Webster. The lead guitar was by the promising Bob Vann but he died in a car accident, he was replaced by Pete James. The new line-up FANTASY sent a demo tape to the label Decca and changed their name in FIREQUEEN. But Polydor was also interested and they pursuaded the band to sign for them. Again the band decided to change their name, it became FANTASY, a name that fitted more to the style and flavour of the music. The debut album was called "Paint A Picture" and released in '73 (now on CD). Soon FANTASY belonged to the past, the tapes for a next album remained in the vaults of time. Fortunately the label Audio Archives released these tapes as a CD called "Beyond The Beyond". This one is an absolute beauty and it contains nine very refined compositions with warm vocals and 12-string acoustic guitars, flowing and sensitive electric guitar and lots of Hammond organ and Mellotron. The highlight on this album is the track Alexandrie (almost 9 minutes) with the Mellotron in all its splendor: majestic eruptions and beautiful waves along a typical Sixties sounding organ. A MUST! Erik Neuteboom, The NETHERLANDS

Sunday, October 29, 2006

Prentice & Tuttle - Every Loving Day (1972)

Steve Prentice & Stephen Tuttle, two young Americans based in Boston, recorded their second and rare album in 1972. This collectable record is a fragile psych folk record with strong rural Americana feeling. All twelve tracks are originals and really deserve this CD treatment.

Freak Emporium

Rate Your Music

Link

Friday, October 27, 2006

Zendik Farm Orgaztra - Danze Of The Cozmic Warriorz (1980s)

Stoned, hypnotic psychedelic rock, recorded by this Texan
tribal community at the end of the 80's. These tracks feature
some of Wulf Zendik's most powerful vocals and poetry. An
awsome display of his artistic energy and aesthetic
wisdom. "... it's a very important document - almost
religious ... a must for all those who are searching for
psychedelic underground music..."

Visit Zendik Farm

CD is still available at Nasoni

Rate Your Music

Link

Monday, October 23, 2006

Saturday, October 21, 2006

Cherry Five - Cherry Five (1974)

Cherry Five came from Italy and was founded in 1974 by Carlo Bordini (who came from the broken group Rustichelli and Bordini), Tony Tartarini, Walter Martino, Claudio Simonetti and Adriano Monteduro. They played in the instrumentation guitar, drums, keyboards and vocals. In the same year their only selftitled album was published by Cinevox without creating any interest at that time! Cherry Five played progressive-rock, sung in english and includes various fine keyboards passages, which remind of Nice. Short after this album, Tartini and Bordini left the band and Cherry Five broke up and then with a slightly different line up transformed into Goblin.Today this album belongs to the most sought-after records of the italian prog-rock-scene.

Rate Your Music

Link


Mahjun - Happy French Band (1977)

This French group, adept at first of a revolutionnary rock in the style of KOMINTERN, turned then to burlesque, humoristic rock full of parody and mixing pop tunes and rock themes with a truly provocative spirit evoking GONG. The instrumental developments, the dialogues between the violin, Jean-Pierre THIRAULT's saxophone and the guitar remind of the delirium and audacious music of GONG, MOVING GELATINE PLATES, EAST OF EDEN, Kevin AYERS...

Rate Your Music

Link


Thursday, October 19, 2006

Hansson & Karlsson - Man At The Moon (1969)

Swedish organ/drums duo. They released three albums - Monument, Rex and Man at the Moon - before they split. Jimi Hendrix recorded their song "Tax Free". Bo Hansson became solo artist, most well known for Music inspired by The Lord Of The Rings. Jan Carlsson played drums on a lot of Swedish releases, among others Pugh Rogefeldt's first two albums, before he became Janne "Loffe" Carlsson - actor & TV show host.

Rate Your Music

Link


Tinkerbells Fairydust - S/T (1969)

Arguably the most valuable UK album in record collecting history, with copies known to have sold for £2,000! The LP was manufactured by Decca in 1969 but never issued. This is the first-ever official CD of their recordings. Adds numerous bonus tracks from singles and also from pre-Tinkerbells acts The Rush and Tommy Bishop’s Ricochets. Sleeve-notes finally tells their story – these will also be appearing as a feature in Record Collector mag. Tinkerbell’s Fairydust were inspired by American Sunshine/ harmony pop, with shades of psychedelia on certain tracks (e.g. ‘In My Magic Garden’). ‘Twenty Ten’ (as in the year 2010) was a huge hit at the time in Japan and is likely to enjoy a renewed profile next year…
Twenty Ten / In My Magic Garden / Majorine / You Keep Me Hanging On / The Worst That Could Happen / Never My Love / Lazy Day / Every Minute Every Day / Whole World / They Didn't Believe Me / Happy / Sheila's Back In Town / Jeff's Boogie / Bonus Tracks- I Should Have Known (By Tommy Bishop’s Ricochets) / On The Other Hand (By Tommy Bishop’s Ricochets) / Once Again (By The Rush) / Make Mine Music (By The Rush) / Enjoy It (By The Rush) / Walking My Baby (Single) / Follow Me Follow (Single) / Midnight Train (By Tommy Bishop & Rock’n’roll Revival Show) / Oh, Boy (By Tommy Bishop & Rock’n’roll Revival Show)
UK psych

Rate Your Music

Link

Wednesday, October 18, 2006

Contraction - S/T (1972)

One of the first and best Quebecois(French-Canadian) prog/folk/jazz album. More info here

Rate Your Music

Link

Tuesday, October 17, 2006

Eastfield Meadows - S/T (1968)


The predo- minant sound is harmony-rich country-rock a-la Gram Parsons era Byrds. "Travelin' Salesman" and "Cowboy Song" actually sound a little like something Michael Nesmith might have penned for The Monkees. Less typical, "Only Girl" and "Silent Noght" sport more of a rock/psych-oriented sound, while "Young Love" sounds like a Buffalo Springfield effort and the ballad "Helpless Is a Feeling" recalls The Association. [SB] Acid Archives

Link

Sunday, September 17, 2006

Altin Mikrofon series


"There was such a blasting of bands that one of the biggest national newspapers called Hürriyet decided to organise a big contest that would help the young amateur bands have their names heard throughout the country. What the contest organisers wanted was interesting: the musicians who wanted to attend the contest had to either compose songs in Turkish or arrange a traditional tune. Also they had to perform this in a western style with electric western instruments! The ones who ware finalists ware to perform live In many cities that the newspapers arranged a tour for them. If Altin Mikrofon had not been assembled, we wouldn't likely to be talking about 60's & 70's Turkish rock scene." G.Aya

"Altin Mikrofon 'The Golden Microphone' song contest was first held in 1965 to help give a new direction to contemporary turkish music through the use of western techniques, forms and instruments. The finalists would get their contest song (and a song of their choice) recorded and printed as a single and sold on the music market for revenues which were left solely to the benefit of these groups." T.L. Taken from http://progressive.homestead.com/

Part 1

Part 2

Part 3


Saturday, September 16, 2006

Johannes "Alto" Pappert - Alto (1977)

The solo album by KRAAN Sax master with other members participating plus vocalist of Tomorrow's Gift.

Link

Le Claque Galoche - Same(197?)

French folk

Link


Malachi - Same (1972)

Combines the feel-good groovy instrumental organ rock of Eden Rose with the more measured introspective UK scene like Cressida or Still Life. Sounds a bit dated for 1971, more like 1969 – probably due to the "carnival" sound of the organ, which is the dominant instrument. From an old ebay auction: "4 UK guys recorded this album in Belgium and only released in Italy". ashratom


Rate Your Music

Link

After Life - Cauchemar (1975)

One of the major discoveries in the world of collectable underground rock records and is the only LP by demonic French fuzzers After Life. Released only in Spain by Discophon in 1975, it remained virtually unknown until some copies started to surface in the late 90s on the lists of some of the worlds most reputable record dealers. To make things more exciting, this was produced by Jean-Pierre Massiera (of Visitors, Horrific Child, Les Maledictus Sound fame) and includes nine tracks of heavy psych guitar action, screaming vocals and organ interludes. The reissue uses the effective original psych artwork and will include 2 bonus tracks which were previously only on a 7", "Rolling Down" and "Things Of The Life". A must for lovers of loud & screaming hard rock as well as anyone interested in the european hard progressive genre. Freak Emporium

Rate Your Music

Link

Thursday, September 14, 2006

Coses - Via Fora! (1976)

Great Catalan psych folk

Link

Brotherhood of Blossom Potato - Collective Farm Defence Archive (2001)

Folk band from lost village of Donbass region (Ukrainian coal primer). The band is acoustic singer/songwriter with slight punk/acid touches. Playing strongly in Soviet undeground vein. Worth listening imo.

Bratstvo Tzvetushego Kartofelya - Arhiv Kolhoznoy Oborony (2001)

Link

Wednesday, September 13, 2006

A Euphonious Wail - A Euphonious Wail (1973)

Heavily influenced by San Francisco bands (Big Brother and the Trucking Company and The Jefferson Airplane quickly come to mind), the Santa Rosa, California-based A Euphonious Wail was roughly five years behind creative and popular tastes. Not that it seemed to matter given a financially struggling Kapp Records went ahead and signed the quintet to a recording contract. Built around the talents of drummer Doug Hoffman, keyboardist Bart Libby, singer Suzanne Rey, singer/guitarist Steve Tracy and bassist Gary Violetti, the band's self-titled 1973 debut teamed them with producer Brian Ingoldsby (Lowell Levinger of Youngbloods fame reportedly also helped out). While "A Euphonious Wail" had a couple of nice moments, for the most part the LP was surprisingly lame and uninspired. As lead vocalists Rey and Tracy had decent, if unexceptional voices (though Rey tended to screech in the higher registers). The same type of limitations were true of the band as songwriters (all but Hoffman contributing material). Taken individually guitar and keyboard propelled rockers such as 'Pony', 'We've Got the Chance', 'When I Start To Live' and 'F#' weren't bad, but stretched over an entire album, there simply wasn't much that really stood out. The band were even less successful when they tried slowing things down - check out the lame ballads 'Did You Ever' and 'I Want To Be a Star'. (The Michael Hawes cover drawing was interesting. Depending on how you looked at it you saw something completely abstract, or possibly obscene.) Needless to say, the album vanished without a trace, followed in short order by the band. [SB] http://www.lysergia.com/

Rate Your Music

Link

Thursday, September 07, 2006

Hinn Islenzki Thursaflokkur

Extremely rare progressive rock from Island. 2 albums
Their name on their first eponymous album was Hinn Islenzki Thursaflokkur (translation: The Icelandic Flock of Trolls / Hinn = The). This album was released 1978. When they released their second album Thursabit they had shortened their name to Thursaflokkurin (translation: The Flock of Trolls), and that is what everyone call them (even in the notes of the first album). Their third album was live and was probably released in 1980. It is said that they had made a fourth album 1994. This band hails from Iceland, and to get a hint at their sound you might think of a Scandinavian Gryphon mixed with a large dose of Gentle Giant. Thursabit was their second album, released in 1979. Hinn Islenski Thursaflokkur are by no means anything close to a Gentle Giant clone - they just do their own thing which happens to incorporate a lot of the kinds of things that make Gentle Giant such a good, original band; odd meters and constant time changes, lots of dynamics, quirky rhythmic and melodic motifs, excellent musicianship, a healthy variety in their sound, even within the same song, and well performed, if sometimes odd, vocals. The music is also reminiscent of bands such as Hatfield and the North and National Health. They have folk roots, but except for maybe two songs, this influence is heard more in the vocals than in the music. There is some excellent prog here, very energetic, that serves as a setting for old Icelandic verse. The extensive liner notes come with the lyrics in Icelandic as well as explanation and background on the poetry in English. Very interesting reading. The instrumentation is guitar, a variety of keyboards, bass, drums, and sometimes bassoon, all played with plenty of enthusiam and intensity. In my opinion, this is as good as anything Gentle Giant has done, and it is one of the best CDs I've gotten this year (along with Locanda della Fate, the double CD of Magma Live, Banco's Io Sono Nato Libero and Darwin!, Ozric Tentacle's Live Underslunky; pretty good company!). If you don't mind the idea of Icelandic vocals (I find them quite interesting), consider giving this a listen. And if you do try it, just ignore the first track. It's rather "poppy" in a 70's kind of way, but its only 3 minutes long and sounds nothing like the rest of the album. Great stuff. -- Rob Walker





















Hinn Islenzki Thursaflokkur - Hinn Islenzki Thursaflokkir(1978)






















Hinn Islenzki Thursaflokkur - Thursabit(1979)

Tuesday, September 05, 2006

Brân - Hedfan (1976) (pre Pererin)

Epic Welsh progressive rock rarity from 1976. Powerful electric progressive rock with hammond, electric guitars and synths. The vocals are all in Welsh but musically this is a great album with rippling wah-wah guitar and male/female vocals.It's a beauty... (Freak Emporium)

Link

Neon Rose - A Dream Of Glory And Pride (1974)

This Sweden group, with their melodic/heavy rock strongly influenced of "Deep Purple" and "Alex Harvey Band"


Link

Sunday, September 03, 2006

Baltik - Baltik (1973)

At last a re-issue of this 1973 album originally released on CBS.This Swedish progressive album had bass virtuoso from,John Gustafson (Roxy Music, Quatermass, Ian Gillan Band, Hard Stuff) is now one of the ultimate collectors items for most Deep Purple, Atomic Rooster fans. It starts off quite heavy, then the pace is slowed down with a female vocal/gospel-flavoured ballad , which sets the mood for a few tracks then the disc reverts to quirky, interesting prog rock, which takes a little bit of getting used to - especially if it doesn't grab you from the first listen; give it another chance.Freak Emporium

Rate Your Music

Link




Fanny Adams - Fanny Adams (1971)

Vince Maloney, Johnny Dick, Teddy Toi and Doug Parkinson were veterans of some of Australia and New Zealand's top bands of the 1960s:
Vince Maloney (sometimes spelled Melouney) had been in the original 1963-65 lineup of The Aztecs, but quit along with the restof the band after a pay dispute. He and fellow Aztec Tony Barber then formed a shortlived duo before Vince formed his own band The Vince Maloney Sect, which became the house band on the mid-'60s pop show Kommotion. Moving to England, he spent several years as lead guitarist in the late-60s UK lineup of The Bee Gees with drummer Colin Petersen
Johnny Dick had joined Max Merritt & The Meteors in 1963 in New Zealand and came to Australia with them in '65, alongside Teddy Toi. After the original Aztecs split from Thorpe, he and Teddy jumped ship and joined the "new" Aztecs, which lasted until 1966. He later teamed up with 'Parko' in the highly-regarded Doug Parkinson In Focus
Teddy Toi was a highly respected bassist, already a rock'n'roll veteran whose CV went back to New Zealand in the late '50s with Sonny Day & the Sundowners
Doug Parkinson was (and is) one of Australia's finest male singers. He started his career in a high-school band The A Sound, followed Newcastle pop outfit The Questions, before forming In Focus with Johnny, Duncan McGuire and Billy Green, scoring a Top 20 hit in '68 with their beautiful rendition of The Beatles' Dear Prudence and winning the Hoadley's Battle Of The Sounds in '69.
After three-odd years with The Bee Gees in the UK, Vince quit the band over the inevitable "musical differences" and had a short spell with Ashton, Gardner & Dyke (Resurrection Shuffle) before landing a solo deal with MCA. He decided to put together a hard rock supergroup in the Led Zeppelin mould, in order to record the album. The first offer went out to Teddy Toi, an old friend and colleague who was doing session work in London at the time. In June 1970, he invited Johnny and Doug to join him in the UK, a trip made possible by the In Focus win in the Hoadley's (the first prize was a trip to England).
They put together a set of strong original material, and cut the album in London, although it was not evenutally released until 1971, just after they had split. They returned to Australia in December 1970 amid a welter of hype. Boasting that they would become the biggest band in the world immediately, the band encountered resistance from a sceptical public, a situation not alleviated by Doug's boast to Go-Set that "In three weeks Fanny Adams will be the best band that ever trod this earth". Perhaps it was simply a case of being an idea before its time (although other groups like The Dave Miller Set were treading this path successfully). In the event, their brand of heavy, plodding blues-prog rock was (so we're told) upstaged by their support bands at the time, apaprently making a mockery of the group's claims.
According to Ian McFarlane, tensions within the band ran high, as one might expect of such an all-star outing. They made some notable appearances, including the Myponga Festival in January 1971, and early in the year MCA released one single from the album, Got To Get A Message To You (which was a group original, not the Bee Gees song of the name) backed by They're All Losers, Honey. But within months of arriving back, the band had self-destructed. The straw that broke the camel's back was a fire at Sydney's Caesar's Palace discotheque, which destroyed all their equipment. Parkinson left under a cloud, and MCA were sufficiently cheesed off with Doug that they effectively embargoed him from recording for the next two years.
Parkinson evenutally assembled a new version of In Focus, and later pursued a successful solo career on the rock and club circuit, on TV and in stage shows including Jesus Christ Superstar. Throughout the 1970s, Maloney worked with a succession of bands, including The Cleves, Flite, Levi Smith's Clefs, the Jeff St John Band, John Paul Young and the All Stars and Rockwell T. James and the Rhythm Aces. In 1999 he was reunited with The Bee Gees for their "One Night Only" concert in Australia -- the first time they had played together since Vince left the band thirty years before.
Toi and Dick played on Lobby Loyde's solo album Plays with George Guitar, and then joined Loyde in a new version of The Wild Cherries. Teddy moved on to a stint in Sydney supergroup Duck in 1972-73, followed by a couple of years in the final version of The Aztecs, and Johnny enjoyed a long and successful stint with Alberts, first backing Stevie Wright and then John Paul.Young in The All Stars.
The Fanny Adams LP, which is a very fine piece of work, is now a sought-after collector's item. Milesago


Link

Neon Rose - Reload (1975)

In 1969 Roger, Piero and Benno formed the band SPIDER. In 1973 drummer Kenta "Krull" was replaced by Stanley Larsson and Neon Rose was born. Their first gig was to open for Dr.Hook.
Neon Rose is concidered to be one of Sweden´s best hard rock bands of all time. The first single was only released in 500 copies and is very sought after item that gains a high price.
On their first album "A dream of glory and pride" released in 1974, Gunnar Hallin was not a member of the band, but a guitar roadie!
After the second album "Two" (1975) Stanley had quit to join the blues outfit Nature. His replacement was Thomas Wiklund who in 1971 recorded a single with the band Uppåt Väggarna. Now Roger left the band too, but was persuaded to return. Their third and last album was named "Reload" recorded and released in 1975.After that album Roger quit and joined Wasa Express. He later formed the band Truck in where Thomas also was found.
In 1977 Piero made another attempt to get the band rolling with himself as the only original member left. They recorded some demos, but never took off. They split....to reform in 1981, now with Piero, Benno, Joaquin Calafell (drums) Erik Svensson (keyboards) and Conny Bloom (guitar and vocals). They recorded a single for Rosa Honung Records, but it was never released.
Today Neon Rose is in the limelight again. 15 new songs is recorded featuring the Reload line-up and a compilation album is also planned.

taken from The Encyclopedia of Swedish Hard Rock and Heavy Metal, by Janne Stark


Link